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Focusing on the dramatic texts produced during the Cultural Revolution, this book explores the intricate ties between ideology, mass education, and art. It examines how these polished works of revolutionary modern drama and ballet serve as storytelling mediums rooted in world mythology and traditional Chinese art. The author analyzes the aesthetic principles and narrative structures that shaped these performances, highlighting their role in conveying a Maoist revolutionary narrative during a tumultuous period in Chinese history. This study appeals to scholars of China, world literature, and drama.
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China''s Proletarian Myth, Trevor Hay
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- 2010
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