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Exploring the intricacies of film theory, Edward Branigan delves into the camera's movements, knowledge, and its relationship with subjects, particularly in static shots. He raises thought-provoking questions about the camera's awareness and the implications of blank screens. Engaging with the works of Wittgenstein and other film theorists, Branigan presents a comprehensive analysis of the camera's role in filmmaking, offering readers a deeper understanding of its operational dynamics.
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Projecting a Camera, Edward Branigan
- Lingua
- Pubblicato
- 2005
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