Klára Dvořáková Winklerová Libri

Základní učebnice norštiny určená všem, kteří se chtějí naučit norsky (bokmål) především samostudiem, ale může sloužit i pro jazykové kursy. V jednotlivých lekcích učebnice je zařazen úvodní článek, slovíčka, oddíl frází a předložkových vazeb, reálie, oddíl mluvnice, cvičení na výslovnost, poslechová cvičení a velké množství cvičení na mluvnické jevy a slovní zásobu. Některé lekce uzavírají dodatkové texty, při jejichž četbě si uživatel... Titul tvoří: učebnice (408 str.), klíč (136 str.), 2 audio CD.

Co udělat, když ve výkladní skříni uvidíme odraz svého dávno zemřelého rodiče a po chvíli pochopíme, že to jsme my sami?Kniha se s velkou laskavostí, humorem a nadhledem vypořádává se situacemi, které přináší stárnutí. Může to být například šok, jenž utrpíme při náhlém zjištění, kolik nám je, různé známky stárnutí, strach z „neviditelnosti“, stavy zuřivosti a protesty spojené s omezením tělesných sil, erotické touhy, ageismus, stud za nemoci, hierarchie stárnutí, stereotypizace, ztráta „životního svědka“, protijed na stařecký pesimismus a další. Patnáct kapitol, částečně úvahových, částečně návodných, částečně proložených situacemi ze života klientů i terapeutky, se zaměřuje na překvapivost stárnutí a nabízí různé návody, jak se s touto situací konstruktivně vyrovnat.

The fourth part of a sensational literary cycle that has been hailed as "perhaps the most important literary enterprise of our times." --Rachel Cusk, Guardian 18 years old and fresh out of high school, Karl Ove Knausgaard moves to a tiny fisherman's village far north of the polar circle to work as a school teacher. He has no interest in the job itself -- or in any other job for that matter. His intention is to save up enough money to travel while finding the space and time to start his writing career. Initially everything looks fine: He writes his first few short stories, finds himself accepted by the hospitable locals and receives flattering attention from several beautiful local girls. But then, as the darkness of the long polar nights start to cover the beautiful landscape, Karl Ove's life also takes a darker turn. The stories he writes tend to repeat themselves, his drinking escalates and causes some disturbing blackouts, his repeated attempts at losing his virginity end in humiliation and shame, and to his own distress he also develops romantic feelings towards one of his 13-year-old students. Along the way, there are flashbacks to his high school years and the roots of his current problems. And then there is the shadow of his father, whose sharply increasing alcohol consumption serves as an ominous backdrop to Karl Ove's own lifestyle.

"Quando si sa troppo poco, è come se questo poco non esistesse, ma anche quando si sa troppo, è come se questo troppo non ci fosse. Scrivere significa portare alla luce l'esistente facendolo emergere dalle ombre di ciò che sappiamo. La scrittura è questo. Non quello che vi succede, non gli avvenimenti che vi si svolgono, ma lì, in se stessa. Lì, risiede il luogo e l'obiettivo dello scrivere. Ma come si arriva a questo lì? Era questa la domanda che mi ponevo mentre seduto su una panchina di quel quartiere di Stoccolma bevevo caffè e i muscoli si stavano rattrappendo dal freddo e il fumo della sigaretta si dissolveva in quell'enorme spazio fatto d'aria che mi sovrastava. Per molti anni avevo cercato di scrivere di mio padre, ma senza riuscirci, sicuramente perché tutto questo era troppo vicino alla mia vita e quindi non era facile costringerlo in un'altra forma, che invece costituisce il presupposto base della letteratura. È la sua unica legge: tutto deve piegarsi alla forma. Ecco perché gli scrittori che posseggono uno stile marcato scrivono spesso libri deboli. Ecco perché quegli autori che si occupano di argomenti e temi forti scrivono libri deboli. La potenza insita nel tema e nello stile deve essere spezzata affinché possa nascere la letteratura. È questa demolizione che viene definita 'scrivere'. Lo scrivere riguarda più il distruggere che il creare."

An irresistible story of childhood adventure from the international phenomenon, Karl Ove Knausgaard. * Karl Ove Knausgaard's dazzling new novel, The Morning Star, is available to pre-order now * Childhood is exhilarating and terrifying. For the young Karl Ove, new houses, classes and friends are met with manic excitement and creeping dread. Adults occupy godlike positions of power, benevolent in the case of his doting mother, tyrannical in the case of his cruel father. In the now infamously direct style of the My Struggle cycle, Knausgaard describes a time in which victories and defeats are felt keenly and every attempt at self-definition is frustrated. This is a book about family, memory and how we never become quite what we set out to be. 'Knausgaard finds the sublime in the everyday... Boyhood Island reverberates with the joys and anxieties of early youth, and Knausgaard brilliantly recreates their exaggerated feel' Times Literary Supplement

The End is the sixth and final book in the monumental My Struggle cycle. Here, Karl Ove Knausgaard examines life, death, love and literature with unsparing rigour and begins to count the cost of his project. This last volume reflects on the fallout from the earlier books, with Knausgaard facing the pressures of literary acclaim and its often shattering repercussions. The End is at once a meditation on writing and its relationship with reality, and an account of a writer's relationship with himself - his ambitions, his doubts and frailties. My Struggle depicts life in all its shades, from moments of great drama to seemingly trivial everyday details. It is a project freighted with risk, where the bounds between private and public worlds are tested, not without penalty for the author himself and those around him

Karl Ove Knausgard se vrací ve vzpomínkách do doby, kdy ze dne na den opustil manželku i rodné Norsko, zamířil do Stockholmu a spřátelil se s jiným exulantem, intelektuálem a boxerem Geirem. A potkal Lindu, do níž se bláznivě a hluboce zamiloval, usadil se, stal se otcem. Minulost – stejně jako četné úvahové odbočky – funguje jako únik od současnosti, protkané peripetiemi života se třemi dětmi, prázdninovými výlety, narozeninovými oslavami, rodinnou každodenností života ve městě, pulzující, frustrující, naplňující. Leitmotivem druhé části autobiografického románu Můj boj je láska – ovšem v knausgardovském pojetí. I láska, stejně jako život, totiž znamená boj.