Art is constantly evolving, inviting experimentation, and, in today’s digital age, uses artificial intelligence to create entirely new realities. Data as a tool of expression is used by artists as an equal partner to break new ground at eye-level, while at the same time redefining the concept of art to revolutionize the world of design. This volume focuses on the esthetics and creativity of a new generation of designers who are using algorithm-supported tools along the vertical, from graphic design to 3D animation, kinetic objects and real-time visuals, to robotics and spatial installations, as well as hybrid approaches between digital and analog. For this compendium, the editor was able to involve the biggest names in the world of data-driven design to present their most important work on the basis of facts, aspects, and stories and to provide insights into their creative processes. These range from the vision via the underlying code and challenges in the implementation concept, to the finished work. On a theoretical level, the presented works are significantly enriched by interviews and texts of experts and insiders of the scene. “The Age of Data“ shows the future of art and design in this day and age in which the whole world is under close scrutiny due to the pandemic. It is an invitation to taking the next steps and a motivation to keep up with the ongoing data based design developments.
Christoph Grünberger Libri


A new term, “Wutbürger” or “enraged citizen,” has emerged in Germany to describe crowds upset with political processes, feeling powerless and seeking change. This collective rage targets specific issues, often leading to drastic actions. However, the focus shifts to the individual “Wutbürger,” exploring the internalized rage and disappointment that can fester when feelings of frustration go unexpressed. The video installation “Wutbürger” by Christoph Grünberger and Andreas Lutz delves into the personal turmoil of a German man, Stefan W.—portrayed by Andreas Genschmar—who reflects on his life and the events that have confined him to a self-imposed prison. The performance, lasting five hours and set in a custom-made box, captures the essence of live action, creating a direct confrontation with the viewer. This installation has been showcased in thirteen public venues across Germany and received an Excellence Award at the 19th Japan Media Arts Festival. Accompanying essays by Andreas Genschmar, Andreas Lutz, Frauke Nowak, and Christoph Tratberger further enrich the exploration of this theme.