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The text presents a comprehensive study of dialogue and intertextuality in medieval literature, covering various works and themes. It begins with an introduction to the aporia, dialogue, and destruction in the 37th adventure of the "Nibelungenlied." The analysis extends to heroic dialogues in "Biterolf und Dietleib," stylistic variations in "Lanzelet," and the use of modal verbs in "Parzival." Intertextuality is explored through Heinrichs von dem Türlin's "Crône" and the dialectics of history and narration in Rudolf von Ems's early work "Guten Gerhart." The text also examines Alexander's representation in Ulrichs von Etzenbach's montage and literary contexts in the late medieval novel "Friedrich von Schwaben." Further discussions include the portrayal of diabolical lawbreakers versus lawful devils in narratives by Cäsarius von Heisterbach, Chaucer, and the Stricker. The dialogue in Ulrichs von Winterstetten's promotional conversation and the roles of singers and audiences in the works attributed to Konrad von Würzburg are analyzed. The inner-trinitarian dialogues in "Anegenge Erlösung" and the dialogical relationships in Mechthild von Magdeburg's "Fließendes Licht der Gottheit" are also highlighted. The study concludes with reflections on the dialogue in "Ritter vom Turn," the communication possibilities of 15th-century single-sheet prints, and an overview of the Anglo-German Colloquium's history from 1966 to 2001. The text
Acquisto del libro
Dialoge, Nikolaus Henkel
- Lingua
- Pubblicato
- 2003
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