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The circle

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  • 112pagine
  • 4 ore di lettura

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The portrait is central to Fazal Sheikh’s photography, where subjects face the camera without dramatization or fear. This approach allows viewers to connect with them as fellow human beings while acknowledging their unique experiences. Rather than a simplistic attempt to "read the soul," it seeks common ground and understanding of life's challenges. This book features a series of photographs of women in India, documenting their journey from birth to death over the past five years. Sheikh's previous works, Moksha and Ladli, explored the social and political issues surrounding the subordination and mistreatment of women in India, highlighting stories of isolation and abuse. He has observed how Indian women often use religion to cope with their tragedies, with traditional beliefs promoting consolation instead of rebellion. In this collection, Sheikh emphasizes the power of the individual gaze, fostering empathy and curiosity. The direct portraits reveal a level of intimacy between the photographer and his subjects that contrasts with common perceptions of Indian women. By inviting viewers to engage with these faces, Sheikh aims to convey their dignity, resilience, and, despite their struggles, a sense of calm.

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The circle, Fazal Sheikh

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Pubblicato
2008
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