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This collection features a series of essays exploring the contributions and influence of Simon Mayr within the context of Viennese culture and the broader Habsburg Empire. It begins with an introduction by Hans Amler and Gabriel Engert, followed by John Stewart Allitt's examination of the Viennese connection in Mayr's writings. Paolo Fabbri discusses Mayr's presence in Vienna, while Maria Girardi analyzes the reception of his work across the empire's provinces. Daniel Brandenburg delves into Mayr's connections to Geneva and Vienna, and Robert Lang focuses on the musical elements in Mayr's "L’amor coniugale." PierAngelo Pelucchi highlights the dramatic evolution in Mayr's works, specifically through "Adelasia e Aleramo," and Marco Marica addresses the unfinished "Lodoiska." Leopold Kantner assesses Mayr's position within the Viennese opera repertoire, while Norbert Dubowy offers insights into opera practices around 1800. Jörg Riedlbauer discusses the historical and aesthetic foundations of the Viennese opera reform, and Peter Niedermüller reflects on the concert life in Vienna during Mayr's time. Additional contributions explore Mayr's music in private concerts, his works like "Alcide al bivio," and the context of his "La Passione." The volume also includes a catalog of musical autographs related to Vienna and a study of Mayr's operas in Prague, concluding with biographies and summaries of the contributors' works.
Acquisto del libro
Johann Simon Mayr und Wien, Franz Hauk
- Lingua
- Pubblicato
- 2005
Metodi di pagamento
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