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In 1650 Velazquez was in Rome, where he depicted members of the papal court with a new freedom of approach, while the following year saw his keenly awaited return to Spain, where he returned to the conventions of the court portrait. This title presents a survey of one of the key moments in the history of the Spanish court portrait.

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Velázquez, Xavier Bray, Larry Keith, Javier Portus, Simona Di Nepi, Gabriele Finaldi

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Pubblicato
2006
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