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Focusing on the intersection of globalization, queer theory, cinema, and affect studies, the book examines significant productions by Robert Lepage from 1984 to 2008. It delves into the mechanisms of how his work is created and shared, providing insights into the cultural and social contexts that shape his artistic output. Through this analysis, the author highlights the innovative aspects of Lepage's contributions to contemporary theater and performance.
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Robert Lepage's original stage productions, Karen Fricker
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- Pubblicato
- 2020
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