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24 Fotogrammi Serie

Questa serie approfondisce l'arte del cinema, esaminando 24 lungometraggi e documentari influenti. Ogni capitolo offre uno sguardo completo sulla realizzazione cinematografica, il suo contesto e il suo impatto. Gli appassionati di cinema troveranno una ricca fonte di spunti sui capolavori che hanno plasmato il panorama cinematografico. È una lettura essenziale per chiunque cerchi una comprensione più profonda del potere e delle sfumature del cinema.

The Cinema of Italy
The Cinema of Spain and Portugal

Ordine di lettura consigliato

  • The Cinema of Spain and Portugal

    • 288pagine
    • 11 ore di lettura
    3,5(4)Aggiungi una valutazione

    An overview of Spanish and Portuguese cinema, this volume contains 24 essays, each on a separate seminal film from the region. Films from the early era of cinema up to the present day are featured, from directors such as Flori?n Rey, Juan Antonio Bardem, Luis Bunuel, V?ctor Erice, Manuel Guti?rrez Arag?n, Pedro Almod?var and Joao Cesar Monteiro. As well as discussions of genre and influences, "The Cinema of Spain & Portugal" includes in depth studies of films such as "La Aldita Maldita" (1930, 1947), "Death of a Cyclist" (1955), "Viridiana" (1961), "Spirit of the Beehive" (1973), "Abraham's Valley" (1993), "Tierra" (1995), "All About My Mother" (1999), and "Torrente" (1998).

    The Cinema of Spain and Portugal

  • The Cinema of Italy

    • 288pagine
    • 11 ore di lettura
    4,0(7)Aggiungi una valutazione

    The Cinema of Italy, a new addition to the 24 Frames series, looks at the recurring historical, thematic and stylistic features of twenty-four of the most important Italian sound films. Viewing Italian cinema at the intersection of history, politics, art and popular culture, the 24 concise essays of this anthology contextualize each film within both Italian and Western film culture. Alongside the crucial lessons of neorealist masterpieces such as Rossellini's Paisan and De Sica's The Bicycle Thief, this collection looks at how Italian cinema has confronted both the nation's history (1860, Senso, The Conformist, Lamerica), the so-called -Southern question- (Salvatore Giuliano, Padre Padrone), as well as modern configurations of labor and gender relationships through the films of Camerini, De Santis, Olmi, Pasolini, Antonioni, Wertmuller, and the Taviani Brothers. The Cinema of Italy also considers the very personal works of Fellini, Ferreri and Moretti and gives special attention to those film-makers (Argento and Leone) whose cinema directly addresses such international film genres as horror and the western.

    The Cinema of Italy