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Esecuzione e Ricezione Musicale

Questa serie approfondisce la storia degli strumenti musicali e delle pratiche esecutive, ampliando il suo ambito per includere la ricezione musicale. Esplora come le opere musicali furono accolte in diverse epoche, rivelando come queste reazioni riflettessero le aspettative e le usanze del periodo. La collezione offre profonde intuizioni sull'interazione tra compositore, esecutore e pubblico nel corso della storia della musica.

Bach's feet
The Guitar in Stuart England
Bach's Feet
Beethoven the Pianist
The Guitar in Tudor England
The Musical Work of Nadia Boulanger

Ordine di lettura consigliato

  • The Musical Work of Nadia Boulanger

    Performing Past and Future Between the Wars

    • 306pagine
    • 11 ore di lettura

    Exploring the career of Nadia Boulanger, this book delves into her significant impact on 20th-century music as a composer, conductor, and teacher. It highlights her role in shaping the careers of numerous prominent musicians and her innovative approaches to music education. The narrative offers insights into her artistic philosophy and the broader cultural context in which she operated, showcasing her lasting legacy in the world of music.

    The Musical Work of Nadia Boulanger
  • The book provides a detailed exploration of Beethoven's career, highlighting the trajectory of his abilities as a performer from his early successes to his eventual decline. It offers well-documented insights into the challenges he faced and the evolution of his musical talent over time.

    Beethoven the Pianist
  • Bach's Feet

    • 314pagine
    • 11 ore di lettura

    Yearsley explores the cultural significance of making music with hands and feet, a mode of performance unique to the organ.

    Bach's Feet
  • The guitar is the most played instrument in the West. This book charts its success in England during the seventeenth century, a time of great political upheaval in England. It gathers a rich array of portraits, archival materials and literary works, and will interest guitar enthusiasts as well as music historians.

    The Guitar in Stuart England
  • This comprehensive study offers a fresh analytical perspective on Purcell's music, linking it to modern compositional goals and methods. It explores the intricate connections between historical context and contemporary practices, providing insights that enhance the understanding of Purcell's work. By examining his music through the lens of current techniques, the book aims to bridge the gap between past and present, making it a significant contribution to musicology and the appreciation of Purcell's legacy.

    Compositional Artifice in the Music of Henry Purcell
  • Eight Centuries of Troubadours and Trouveres

    The Changing Identity of Medieval Music

    • 360pagine
    • 13 ore di lettura

    The exploration of troubadour and trouvere music reveals its evolving interpretations throughout history. It delves into the cultural and social contexts that influenced these musical forms, highlighting how their meanings have shifted over time. Through detailed analysis, the book uncovers the intricate connections between music, poetry, and the historical events that shaped the lives of these medieval composers. This study offers insights into the artistry and legacy of troubadour and trouvere traditions.

    Eight Centuries of Troubadours and Trouveres
  • Palestrina and the German Romantic Imagination

    Interpreting Historicism in Nineteenth-Century Music

    • 334pagine
    • 12 ore di lettura

    The book delves into the resurgence of sixteenth-century music during the nineteenth century in Germany, highlighting the significant impact of Palestrina's works. It examines how this revival influenced contemporary musical thought and practice, shedding light on the cultural and historical contexts that shaped the appreciation of Renaissance music in a new era. Through detailed analysis, it uncovers the connections between past and present musical traditions.

    Palestrina and the German Romantic Imagination
  • James Garratt explores the revival of sixteenth-century music in nineteenth-century Germany, focusing on the reception of Palestrina by critics, historians, performers and composers. It demonstrates that the Palestrina revival was just as significant for nineteenth-century culture as parallel movements in the other arts, and is the first book in English on this topic. It is of relevance to scholars, students and devotees of nineteenth-century music, as well as those with interests in nineteenth-century culture, art, architecture, literature and aesthetics, the history of church music and the early music revival.

    Palestrina and the German romantic imagination