Questa serie approfondisce un decennio fondamentale del ventesimo secolo che ha plasmato il mondo moderno. Esplora gli eventi tumultuosi, le innovazioni rivoluzionarie e i profondi cambiamenti culturali che hanno definito l'epoca. Attraverso diversi contributi di scrittori acclamati e commentatori acuti, questa collezione offre un ricco arazzo di storia, arte e cambiamento sociale. Immergetevi in analisi che danno vita a questo periodo formativo.
The cultural and political history of the watershed decade of the 20th century, as told by the New Yorker. In this volume, pieces by the pantheon of journalists, novelists and poets that graced the New Yorker's pages in the 1940s are complemented by all new contributions, as the magazine's present star lineup looks back at that tumultuous decade.
Including contributions by W. H. Auden - Elizabeth Bishop - John Cheever - Janet Flanner - John Hersey - Langston Hughes - Shirley Jackson - A. J. Liebling - William Maxwell - Carson McCullers - Joseph Mitchell - Vladimir Nabokov - Ogden Nash - John O'Hara - George Orwell - V. S. Pritchett - Lillian Ross - Stephen Spender - Lionel Trilling - Rebecca West - E. B. White - Williams Carlos Williams - Edmund Wilson And featuring new perspectives by Joan Acocella - Hilton Als - Dan Chiasson - David Denby - Jill Lepore - Louis Menand - Susan Orlean - George Packer - David Remnick - Alex Ross - Peter Schjeldahl - Zadie Smith - Judith Thurman The 1940s are the watershed decade of the twentieth century, a time of trauma and upheaval but also of innovation and profound and lasting cultural change. This is the era of Fat Man and Little Boy, of FDR and Stalin, but also of Casablanca and Citizen Kane, zoot suits and Christian Dior, Duke Ellington and Edith Piaf. The 1940s were when The New Yorker came of age. A magazine that was best known for its humor and wry social observation would extend itself, offering the first in-depth reporting from Hiroshima and introducing American readers to the fiction of Vladimir Nabokov and the poetry of Elizabeth Bishop. In this enthralling book, masterly contributions from the pantheon of great writers who graced The New Yorker 's pages throughout the decade are placed in history by the magazine's current writers. Included in this volume are seminal profiles of the decade's most fascinating figures: Albert Einstein, Marshal Petain, Thomas Mann, Le Corbusier, Walt Disney, and Eleanor Roosevelt. Here are classics in reporting: John Hersey's account of the heroism of a young naval lieutenant named John F. Kennedy; A. J. Liebling's unforgettable depictions of the Fall of France and D Day; Rebecca West's harrowing visit to a lynching trial in South Carolina; Lillian Ross's sly, funny dispatch on the Miss America Pageant; and Joseph Mitchell's imperishable portrait of New York's foremost dive bar, McSorley's. This volume also provides vital, seldom-reprinted criticism. Once again, we are able to witness the era's major figures wrestling with one another's work as it appeared--George Orwell on Graham Greene, W. H. Auden on T. S. Eliot, Lionel Trilling on Orwell. Here are The New Yorker' s original takes on The Great Dictator and The Grapes of Wrath, and opening-night reviews of Death of a Salesman and South Pacific. Perhaps no contribution the magazine made to 1940s American culture was more lasting than its fiction and poetry. Included here is an extraordinary selection of short stories by such writers as Shirley Jackson (whose masterpiece The Lottery stirred outrage when it appeared in the magazine in 1948) and John Cheever (of whose now-classic story The Enormous Radio New Yorker editor Harold Ross said: It will turn out to be a memorable one, or I am a fish. ) Also represented are the great poets of the decade, from Louise Bogan and William Carlos Williams to Theodore Roethke and Langston Hughes. To complete the panorama, today's New Yorker staff, including David Remnick, George Packer, and Alex Ross, look back on the decade through contemporary eyes. Whether it's Louis Menand on postwar cosmopolitanism or Zadie Smith on the decade's breakthroughs in fiction, these new contributions are illuminating, learned, and, above all, entertaining. From the Hardcover edition
The 1940s are the watershed decade of the twentieth century, a time of trauma and upheaval but also of innovation and profound and lasting cultural change. This is the era of Fat Man and Little Boy, of FDR and Stalin, but also of Casablanca and Citizen Kane, zoot suits and Christian Dior, Duke Ellington and Edith Piaf. The 1940s were when The New Yorker came of age. A magazine that was best known for its humor and wry social observation would extend itself, offering the first in depth reporting from Hiroshima and introducing American readers to the fiction of Vladimir Nabokov and the poetry of Elizabeth Bishop. In this enthralling book, masterly contributions from the pantheon of great writers who graced The New Yorker's pages throughout the decade are placed in history by the magazine's current writers. Included in this volume are seminal profiles of the decade's most fascinating figures, as well as vital, seldom reprinted criticism. Perhaps no contribution the magazine made to 1940s American culture was more lasting than its fiction and poetry. Included here is an extraordinary selection of short stories by such writers as Shirley Jackson (whose masterpiece "The Lottery" stirred outrage when it appeared in the magazine in 1948) and John Cheever (of whose now classic story "The Enormous Radio" New Yorker editor Harold Ross said: "It will turn out to be a memorable one, or I am a fish.") Also represented are the great poets of the decade, from Louise Bogan and William Carlos Williams to Theodore Roethke and Langston Hughes
The anthology captures the essence of the 1950s, a decade marked by cultural shifts and Cold War tensions, through classic pieces from notable authors like Philip Roth, John Updike, Nadine Gordimer, and Adrienne Rich. Alongside these timeless works, contemporary writers provide insightful analyses that enrich the understanding of this complex era, blending nostalgia with critical reflection on its societal impacts.
A look back at the 1950s chronicles the tensions and innovations that lay behind the decade's more placid surface during a time of prosperity and contradiction
In this thrilling volume, classic works of reportage, criticism, and fiction are complemented by new contributions from the magazine's present all-star line-up of writers, including Jonathan Franzen, Malcolm Gladwell, and Jill Lepore.