Questa serie reinterpreta in modo spiritoso le vite e i dialoghi dei filosofi dell'antica Grecia, collocandoli in situazioni sorprendentemente moderne. Attraverso conversazioni argute e scenari inaspettati, i lettori incontrano profondi concetti filosofici presentati con accessibilità e umorismo. È un viaggio che esplora domande senza tempo sull'etica, la conoscenza e la vita buona, celebrando al contempo la duratura rilevanza del pensiero classico. Perfetto per chi cerca stimoli intellettuali avvolti in una narrazione coinvolgente.
On a long, cold winter night, more than three hundred years ago, Mister Descartes is suddenly beset by profound doubts: Can I trust my senses, or am I fooled by illusions? Is there an Evil Genius behind all things? What if the outside world is only a dream? Is my own existence nothing but the product of my imagination?
Il mio nome è Karl Marx… Cosa ci faccio sotto questo lenzuolo? È una lunga storia, la storia della lotta di classe. Una storia triste, ma alla quale cercheremo insieme di dare un lieto fine, una conclusione felice, perché a cosa serve inventare finali se non sono felici?
Sprawled in his favorite armchair, Dr. Freud notices a peculiar phrase in pages of his notebook: “preaching to the fishes.” What could he have meant by this? If there’s one thing he has learned working as a psychoanalyst, it’s that the best way to make sense of yourself is through your dreams—and so he settles down for a nice long nap. But no sooner does his head hit the pillow than he begins to hear voices! A frightened fish with a childhood memory lodged in its throat coaxes Dr. Freud into the cold water, where his ideas come to life through an unforgettable cast of characters, including a loquacious carp and three frogs—Id, Ego, and Superego—locked in fierce competition for a single waterlily.
What can I know? What should I do? What may I hope? What’s for dinner? More than two hundred years ago, on a day that takes quite a peculiar course, Professor Kant is working hard to give an answer to all these questions. Not only the morning papers, but also a slightly perfumed letter get in his way however. As a result, he even forgets to go out on his regular digestive walk – and everything goes off the rails…
“Tell us, Delphic Oracle, who is the wisest man in all of Greece?” So begins The Death of Socrates . No mortal man is wiser than Socrates, who, on his daily walks through Athens, talks to all the people he meets. When the person he talks to takes himself to be very wise, Socrates asks so many questions that the person ends up admitting he knows nothing. When he runs into people who know little, Socrates sets them on the way to wisdom. But not everyone shares Socrates’s love for the truth. When the people of Athens put him on trial for his ceaseless questioning, how will he find the courage to continue to speak the truth?
Hannah Arendt is not at all keen to build an edifice of ideas or to develop abstract concepts. Rather, she gets on to the stage herself! To enter the scene of her little theater means to take matters into her own hands, take responsibility, to act. In short: Thinking is acting! Whereas the bureaucrats can conceive of only one thing: to build a world out of paper.
1914. Europe is at war. The experts on deciphering code and secret writing are wild with excitement: What in the world can be the meaning of those incomprehensible notes scribbled by secret agent Ludwig Wittgenstein? The young scholar himself is unable to help them—he is hunting a wild beast, a figure of dubious existence…
The young Albert Einstein has a very important job: he must deliver electricity to the big Oktoberfest celebration in Munich. As he hurries from one merry-go-round to another, nothing seems to be going as planned. With his sister, Maja, Heinrich the dog, and Niels Bohr, a qualified dwarf-thrower, can he win a battle against the laws of the universe? The key just may lie in the question of whether a dumpling can fly faster than light.