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Philip Nelson

    From Photon to Neuron
    The Obsidional Money of the Great Rebellion, 1642-1649
    The Coinage of Ireland in Copper, tin and Pewter, 1460-1826
    A student's Guide to Python for Physical Modeling
    The Coinage of William Wood, 1722-1733
    Biological Physics Student Edition
    • Part I. Mysteries, metaphors, models. Chapter 1. What the ancients knew -- Chapter 2. What's inside cells -- Part II. Diffusion, dissipation, drive. Chapter 3. The molecular dance -- Chapter 4. Random walks, friction, and diffusion -- Chapter 5. Life in the slow lane : The low Reynolds-number world -- Chapter 6. Entropy, temperature, and free energy -- Chapter 7. Entropic forces at work -- Chapter 8. Chemical forces and self-assembly -- Part III. Molecules, machines, mechanisms. Chapter 9. Cooperative transitions in macromolecules -- Chapter 10. Enzymes and molecular machines -- Chapter 11. Machines in membranes -- Chapter 12. Nerve impulses -- Epilogue -- Appendix A. Global list of symbols and units -- Appendix B. Numerical values

      Biological Physics Student Edition
    • "Python is a computer programming language that is rapidly gaining popularity throughout the sciences. A Student's Guide to Python for Physical Modeling aims to help you, the student, teach yourself enough of the Python programming language to get started with physical modeling. You will learn how to install an open-source Python programming environment and use it to accomplish many common scientific computing tasks: importing, exporting, and visualizing data; numerical analysis; and simulation. No prior programming experience is assumed."--

      A student's Guide to Python for Physical Modeling
    • This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

      The Coinage of Ireland in Copper, tin and Pewter, 1460-1826
    • From Photon to Neuron

      Light, Imaging, Vision

      • 512pagine
      • 18 ore di lettura

      Focusing on the interplay between light and biological systems, this book offers a thorough introduction suited for students. It presents an interdisciplinary approach, combining insights from various fields to enhance understanding. The author's expertise ensures a valuable resource for those exploring the complex relationships between light and biosystems.

      From Photon to Neuron
    • Physical Models of Living Systems

      Probability, Simulation, Dynamics

      • 492pagine
      • 18 ore di lettura

      Focusing on the intersection of systems and synthetic biology with various scientific disciplines, this university textbook offers an engaging exploration of topics like epidemic modeling and imaging. It emphasizes discovery through reflective questions, encouraging readers to understand the gradual unraveling of complex biological mechanisms. By integrating classic results from fields such as statistical inference and neuroscience, it equips students with the skills to create stochastic simulations and fosters an appreciation for scientific advancement and future inquiry.

      Physical Models of Living Systems
    • Recognized for its cultural significance, this work contributes to the foundational knowledge of civilization. Scholars have highlighted its importance, suggesting it offers valuable insights into historical contexts and societal developments.

      Ancient Painted Glass in England 1170-1500
    • Philip Nelson begann als Maler, integrierte zunehmen mineralische Stoffe, Artefakte und Fundgegenstände aus der natürlichen und menschengemachten Umwelt in seine Bilder. Mitte der neunziger Jahre erweiterte er seinen Schaffenskreis auf Skulpturen. Aus diesem reichhaltigen Schaffen wird hier ein kleiner charakteristischer Ausschnitt aus den letzten vier Jahren gezeigt. Die Gestaltungskraft des Künstlers erreicht eine neue Souveränität: Jeder geeignete Stoff kann dazu dienen, in den von ihm verantworteten Umwandlungsprozess einbezogen zu werden.

      Zyklus