Matthew Young Libri

Exploring the coral-encrusted wrecks off Britain's coast, the book delves into the history of these sunken ships that once transported valuable goods and passengers. Experienced diver Ron Young evaluates these sites for diving and boat angling, while highlighting the diverse marine life and treasures that inhabit the seabed. His insights offer a unique perspective on the underwater world, making it an intriguing read for both divers and marine enthusiasts.

The book is a facsimile reprint of a significant antiquarian work, preserving its historical value despite potential imperfections like marks and notations. It aims to protect and promote cultural literature by providing an affordable, high-quality modern edition that remains true to the original text. This commitment highlights the importance of maintaining access to classic works for contemporary readers.

The book delves into the intricate relationship between music and its emotional impact, specifically through Philip Tagg's method of analyzing musical meaning using musemes. It applies this technique to Howard Shore's film score for The Lord of the Rings Trilogy, exploring how Shore integrates the cultures described by J.R.R. Tolkien into his compositions. By dissecting thematic elements and their socio-musical contexts, the work reveals how Shore's score enhances the cinematic experience, appealing to musicians and film enthusiasts alike.

Matthew Young's debut poetry collection showcases a vibrant blend of Beat influences and personal experiences. Through poems like "Brendan Behans' Glass" and "Dublin Ramblings," Young captures the essence of a modern traveler and seeker, reflecting his connection to the spirit of Beat culture. The work invites readers to delve deeper, offering layers of meaning that reveal themselves upon multiple readings. Inspired by encounters with fellow poets and fans, this collection resonates with the lively atmosphere of artistic exploration and camaraderie.

This book is part of the Archive Photographs series, which uses old photographs and archived images to show the history of various local areas in Great Britain, through their streets, shops, pubs, and people.

Explaining the meaning or affect of a piece of music is by no means an easy task. However, some success has been found through the work of Philip Tagg, whose technique consists of breaking down a musical example into minimal units of musical meaning (called musemes), comparing those units to other musical examples possessing sociomusical connotations, and demonstrating a transfer of musical affect from the music possessing sociomusical connotations to the object of analysis. This work expands Tagg’s techniques in an attempt to analyze the musical affect of Howard Shore’s film score for The Lord of the Rings Trilogy. After a discussion of J. R. R. Tolkien’s description of the cultures of the inhabitants found in Middle-earth, this work dissects the thematic material of Shore’s score, focusing on his incorporation of the music and culture of Tolkien’s text into his film score through instrumentation and style, as well as utilizing musematic analysis to argue the musical affect of Shore’s major themes that is projected on the audience. This book is directed toward any individual, musician or film enthusiast, who appreciates the ability for a film score to heighten the overall movie experience.