This book provides a stimulating overview of twentieth-century German art, focusing on some of the period's key works by Max Beckmann, George Grosz, Hannah Höch, Willi Baumeister, Arno Breker, Joseph Beuys, and Gerhard Richter. In Peter Chametzky's innovative approach, these works become representatives rather than representations of twentieth-century history. That is, the art here does not simply illustrate an argument, the art is the argument. Chametzky draws on both scholarly and popular sources to demonstrate how the works (and in some cases, the artists themselves) interacted with, and ev
Peter Chametzky Libri



"The first book to showcase and analyze the diversity of Germany's contemporary cultural production, while arguing against its myth of homogeneity"-- Provided by publisher
Interviews
- 359pagine
- 13 ore di lettura
The interview within the “art system” presents a particularly suitable form of creating an equal platform of exchange between creator and distributor of art, a “medium,” which conveys authentic information from the artist to an audience interested in art as well as to art critique and theory. While integrating the narrative and personal, this way of self-positioning counteracts the image of the “speechless” visual artist – to a certain extent still being perpetuated today – and mirror the diversity of contemporary art production by a lively dialogue.