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Ernest Cole

    Post-Apartheid-Interregnum
    Ernest Cole, photographer
    Space And Trauma In The Writings Of Aminatta Forna
    • 2021

      Post-Apartheid-Interregnum

      Eine Studie zu ausgewählten südafrikanischen Romanen

      • 264pagine
      • 10 ore di lettura

      Die Studie untersucht Nadine Gordimers Konzept des Interregnums als Phase der Unbestimmtheit und Widersprüche in der südafrikanischen Post-Apartheid-Literatur. Trotz der politischen Transformation 1994 bleibt die alte Dichotomie der Apartheid präsent, was sich in Ambiguitäten und Spannungen im neuen Südafrika zeigt. Der Autor argumentiert, dass der Übergang zur schwarzen Herrschaft eine Neudefinition von Rollen und Werten erfordert, während Themen wie Rassismus, Gewalt und Korruption die Desillusionierung der Gesellschaft verdeutlichen. Insgesamt wird das Post-Apartheid-Südafrika als ein Raum des Widerstands gegen den Wandel dargestellt.

      Post-Apartheid-Interregnum
    • 2017

      This is a critical study of her four works: a memoir, The Devil that Danced on the Water, and three novels, Ancestor Stones, The Memory of Love and The Hired Man. This study makes the case that Forna's works delve into the historical and political landscapes of Sierra Leone and trace the growth and development of the nation from the pre-colonial to post-independence era. Within this trajectory she engages the legacies of colonialism, post-independence betrayal and disillusionment, political instability, violence and oppression leading to the civil wars of the '90s.

      Space And Trauma In The Writings Of Aminatta Forna
    • 2010

      Ernest Cole, photographer

      • 263pagine
      • 10 ore di lettura

      "Ernest Cole (1940-1990) believed passionately in his mission to tell the world in photographs what it was like and what it meant to be black under apartheid. He identified intimately with his own people in photographs of unsurpassed strength and gravitas. With imaginative daring, courage and compassion, he portrayed the full range of experience of black people as they negotiated their lives through the insanity of apartheid and its racist laws and oppression. In order to publish his book, House of Bondage, Cole went into exile. Immediately after it came out in 1967, it was banned in South Africa and this major critique of apartheid has hardly been seen in his own country since. Cole died in New York in 1990 after more than 23 years of painful exile, never having returned to South Africa and leaving no known negatives and few prints of his monumental work. Tio fotografer, an association of photographers with whom Cole worked from 1969 to 1975 when his place of residence was Stockholm, received a collection of his prints and these were later donated to the Hasselblad Foundation. These extremely rare prints, most of them made by Cole himself and most never previously exhibited, form the core of this exhibition and book. This book tells the story of Ernest Cole's life, both in his own words and through the reminiscences and writings of those people who knew him personally and professionally." -- Back cover.

      Ernest Cole, photographer