G. K. Chesterton Libri

manalive è uno dei più complessi e affascinanti romanzi della letteratura inglese. Scritto da Gilbert Keith Chesterton nel 1912, narra la storia del fantastico Innocent Smith, il debordante e incredibile protagonista che in un caldo pomeriggio estivo irrompe nel giardino del piccolo cottage, che è casa Beacon, sospinto da un vento turbinoso. Annunciato da un panama bianco e da un ombrello verde, sospinti dal vento, nel giardino della pensione della taciturna signora Duke, Innocent plana col suo vestito verde da vacanziere al cospetto di tre giovani uomini, il dr. Warner, l'irlandese Michael Moon e Artur Inglewood, impegnati in una discussione su un bizzarro e delirante telegramma. L'omone esordisce e persevera in comportamenti inconsueti, irrazionali e incomprensibili, che lo trasformano agli occhi dei villeggianti in un pericoloso individuo. Subirà quindi un bizzarro "processo casalingo", dove le orribili accuse che gli verranno pregiudizialmente mosse, sono quelle di tentato omicidio, omicidio, furto con scasso e bigamia. Nelle vesti di mite imputato, Innocent si lascia docilmente processare. Alla fine, l'avvocato difensore smonterà tutte le accuse, svelando ai presenti il senso stesso del nome del suo straordinario cliente: Manalive.

Chi è Padre Brown? Secondo il suo inventore è «un prete che sembra ignaro di tutto e poi in realtà in fatto di delitti la sa più lunga dei criminali veri». Ciò che colpisce è innanzitutto il contrasto fra il suo aspetto di ometto mite e inerme e un contesto di delitti e violenze di ogni genere. La genialità di Chesterton nella creazione di questa fortunatissima figura di sacerdote-investigatore – già interpretato in una popolarissima serie televisiva del 1970 da Renato Rascel – consiste nella tecnica di soluzione dei casi conferita a Padre Brown: il prete, infatti, si immedesima nella mente criminale e cerca di agire, prima ancora di pensare, come il criminale. Precursore di molti detective letterari e cinematografici dei nostri tempi, Padre Brown, con il suo acume e la sua bonarietà, è il protagonista di questa raccolta che permette di centellinare, una storia dopo l’altra, il gusto della suspense, della ricerca, della scoperta.

Padre Brown è uno dei detective più amati dell'età d'oro della narrativa gialla. Questo volume raccoglie quattro dei suoi casi classici. Dietro il suo aspetto gentile, questo sacerdote-detective ha una mente acuta. Attraverso la sua esperienza come confessore, Padre Brown ha acquisito una conoscenza intrinseca della capacità umana per il male, che lo rende un esperto nella risoluzione dei crimini. Questo abile detective usa l'intuizione piuttosto che il metodo scientifico, mettendosi nei panni e nella mente dei criminali che cerca. Storie • La resurrezione di Padre Brown • L'oracolo del cane • Lo specchio del magistrato • L'attore e l'alibi. Le avventure di Padre Brown nella risoluzione dei crimini rimangono affascinanti come sempre.

Questa raccolta presenta otto storie intriganti incentrate su Padre Brown, un detective fittizio noto per la sua acuta comprensione della natura umana e della moralità. Pubblicata nel 1926, mette in mostra la tipica fusione di mistero e profondità filosofica di Chesterton. Le storie sono state inizialmente pubblicate a puntate su Cassell's Magazine, con il racconto finale apparso nell'aprile di quell'anno. Questo volume continua a esplorare temi di fede, dubbio e le complessità del crimine.

Chesterton non è solo l'inventore del popolarissimo Padre Brown, ma anche il creatore della figura centrale del Club dei Mestieri Stravaganti: Basil Grant. Questi è un ex giudice che abita in una soffitta e che indaga su tutti e sei i casi polizieschi che compongono questo libro.

Nel 1931 Agatha Christie e altri dodici celebri scrittori di gialli, soci del cosiddetto "Detection Club", nel quartier generale di Kingly Street a Londra, decisero di collaborare alla stesura di una detective story unica. Ogni partecipante doveva mettersi all'opera, continuando la storia che un altro membro del Club aveva precedentemente imbastito. Nessuno sapeva cosa ne sarebbe venuto fuori, né quale soluzione al giallo avessero in mente gli altri. Questa la storia che scrissero... Nella tranquilla cittadina sul mare in cui vive, l'ispettore Rudge non ha spesso occasione di trattare casi di omicidio. Ma quando un vecchio marinaio trascina a riva una barca che trasporta un cadavere da poco pugnalato al petto, l'ispettore non può perdere tempo e fa partire immediatamente le indagini. La vittima sembra essere l'ammiraglio Penistone che, in pensione ormai da qualche anno, viveva da poco più di un mese in una villa nella campagna circostante, insieme alla nipote Elma e a tre domestici. Ma la vicenda si rivela fin da subito molto più intricata di quanto l'ispettore pensasse: troppe le persone coinvolte e quasi nessuna disposta a parlare. Il proprietario della barca sta evidentemente nascondendo qualcosa, la nipote della vittima è scomparsa dal paese e l'identità stessa dell'uomo assassinato è tutto fuorché certa.

Monterotondo, Fuorilinea, 2013, 8vo brossura con copertina illustrata, pp. 223

ANTHONY BOUCHER - Sorella Ursula indagaSolo Sorella Ursula può trovare un assassino che sembra in grado di attraversare i muri.G.K. CHESTERTON - Il miracolo della mezzalunaPadre Brown deve far luce sulla sparizione misteriosa di un filantropo che, forse, aveva un nemico di troppo.HARRY KEMELMAN - Con teIl rabbino David Small indaga su un delitto di cui è uno de principali sospettati.

"It is the purpose of the writer to attempt an explanation, not of whether the Christian Faith can be believed, but of how he personally has come to believe it." G.K. Chesterton ; Preface to Orthodoxy Orthodoxy (1908) is a book by G. K. Chesterton that has become a classic of Christian apologetics. Chesterton considered this book a companion to his other work, Heretics. In the book's preface Chesterton states the purpose is to "attempt an explanation, not of whether the Christian faith can be believed, but of how he personally has come to believe it." In it, Chesterton presents an original view of Christian religion. He sees it as the answer to natural human needs, the "answer to a riddle" in his own words, and not simply as an arbitrary truth received from somewhere outside the boundaries of human experience. "If you've got an afternoon, read his masterpiece of Christian apologetics ... Thomas Aquinas meets Eddie Van Halen." -James Parker ; The Atlantic

G.K. Chesterton was a master essayist. But reading his essays is not just an exercise in studying a literary form at its finest, it is an encounter with timeless truths that jump off the page as fresh and powerful as the day they were written. The only problem with Chesterton's essays is that there are too many of them. Over five thousand! For most GKC readers it is not even possible to know where to start or how to begin to approach them. So three of the world's leading authorities on Chesterton - Dale Ahlquist, Joseph Pearce, Aidan Mackey - have joined together to select the "best" Chesterton essays, a collection that will be appreciated by both the newcomer and the seasoned student of this great 20th century man of letters. The variety of topics are astounding: barbarians, architects, mystics, ghosts, fireworks, rain, juries, gargoyles and much more. Plus a look at Shakespeare, Dickens, Jane Austen, George MacDonald, T.S. Eliot, and the Bible. All in that inimitable, formidable but always quotable style of GKC. Even more astounding than the variety is the continuity of Chesterton's thought that ties everything together. A veritable feast for the mind and heart. While some of the essays in this volume may be familiar, many of them are collected here for the first time, making their first appearance in over a century.

The thirty-nine short essays that make up Chesterton's delightful book are the result of "sitting still and letting marvels and adventures settle on him like flies." Actually, the author does move around quite a bit-to Germany, France, and on foot in England when he tires of waiting for a train. Everywhere he goes, Chesterton looks at ordinary things and asks us to see how extraordinary they are: the contents of his pockets, the items in a railway station, pedestrians in the street. What appear to be trifles are actually tremendous, and he uses them as a springboard to expound on Christianity, the nuclear family, democracy, and the like with supreme clarity and wit. The essays gathered here are a testament to G.K. Chesterton's faith-not his faith in religion or a higher power, but in the ability to discover something wonderful in the objects, the experiences, and the people that cross our paths every single day. With his unique brand of humor and insight, he demonstrates how the commonplace adds enormous value to the landscape of daily life. Full of both good sense and nonsense, Chesterton's commentaries-first published nearly a century ago-remain fresh today.

Jeden z nejplodnějších anglických spisovatelů první poloviny 20. století, autor mimo jiné 48 povídek s neobvyklým hrdinou-detektivem otcem Brownem, svéráznou, poněkud směšnou postavičkou v kněžském rouchu, jenž na rozdíl od svého "kolegy" Sherlocka Holmese neřeší případy za pomoci chladné dedukce, nýbrž díky hluboké znalosti lidské povahy a psychologie. "Brownovky" nejsou jen poutavým logickým cvičením, ale vynikají i zálibou v paradoxu, jíž nechybí filozofická hloubka. Výbor přináší povídky Divný krok, Kletba knihy, Prokletí Pendragonů a Znamení zlomeného meče. Anglicko-český zrcadlový text, vhodný pro výuku jazyků.

Chesterton took a keen interest in the English literary tradition, particularly the works of England's greatest playwright, William Shakespeare. In this original collection, Chesterton expert Dale Ahlquist collects the best of the noted author and critic's short essays, reviews, and introductions on The Bard and provides a new Introduction.

G.K. Chesterton's journey through the United States unfolds with keen observations and sharp wit, providing a thought-provoking commentary on American culture, politics, and society. His insightful and humorous perspective invites readers to experience America in a unique light, blending personal anecdotes with broader reflections on the nation's character.

Exploring the undervaluation of ordinary life, this work critiques the dismissal of popular literature as "vulgar." It argues that while such literature may lack literary sophistication, it serves as a vital expression of collective imagination. The text contrasts past attitudes of the educated class, who ignored popular works, with the significance these narratives hold for millions. By highlighting this neglect, the author invites readers to reconsider the worth and impact of everyday stories in shaping cultural identity and imagination.

Ideal for gift-giving, this beautiful new edition of one of the most insightful books about Francis of Assisi offers all of Chesterton's insight, humor, and wit as he uncovers the real meaning of the life of the world's most popular saint.

Some of the topics of these 130 columns written for The Illustrated London News include "The Fashion of Psychoanalysts", "Doubts about Darwinism", "Liberty and Self Government", "Errors About Detective Stories", "The Settling of America", "Popular Literature and Popular Science", "Marxism and History", "The Threat of Novelty", "The Infinite Variety of Woman", "The Soul of the Modern Peasant", "Gilbert and the Jingoists", "Socialist Order and Democracy". Chesterton lovers will be delighted to find this treasure filled with jewels quite the match of his best writing.

This book is a reproduction of an original historical work, published by Megali, a house dedicated to making literature accessible through large print editions. The focus on readability caters specifically to individuals with impaired vision, ensuring that important texts remain available to a wider audience.

G. K. Chesterton je jedním z nejplodnějších anglických spisovatelů první poloviny 20.století. Mimo jiné je autorem 48 povídek s neobvyklým hrdinou-detektivem otcem Brownem, svéráznou, poněkud směšnou postavičkou v kněžském rouchu, jenž na rozdíl od svého „kolegy“ Sherlocka Holmese neřeší případy za pomocí chladné dedukce, nýbrž díky hluboké znalosti lidské povahy a psychologie. „Brownovky“ nejsou jen poutavým logickým cvičením, ale vynikají i zálibou v paradoxu, jíž nechybí filosofická hloubka. Výbor přináší povídky Nepřítomnost pana Sklenčky, Zpěv létajících ryb, Proroctví psa a Zrádné zrcadlo. Přeložila Alena Hartmanová.

Some of the topics of the 130 columns in the volume include "The Poetry of Commonplace Things", "The Rhetoric of Pacifism", "Socialism and Individualism", "The Morality of Melodrama", "Despotism and Democracies", "The Rails of Reality", "Patriotism Become True", "Facts versus False History", "The Fury of America", "Relativity against Reason" and "Controlling the Common Man".Most of the weekly articles Chesterton wrote for The Illustrated London News have never been printed in book form until Ignatius Press undertook to do the collected works. These volumes contain all of Chesterton's columns in The Illustrated London News , beginning in 1905. The great majority have never appeared in book form. Chesterton lovers will be delighted to find this treasure filled with jewels quite the match of his best writing.

Volumes XXVII through XXXVII of The Collected Works Of G. K. Chesterton are collected columns from The Illustrated London News. Thesevolumes contain all of Chesterton s weekly columns beginning in1905. Volume XXIX contains 1911-1913. Though written for his very popular newspaper column almost one hundredyears ago, Chesterton s timeless wisdom is just as relevant today as itwas then.Volume XXIX FashionableSuffragettes and the Truly Feminine, Bad Sentences and Bad Theology,Capitalism and Marriage, The Failure of Words in Our Time, OnGlorifying Divorce, The Modern Anti-Democracy, Modern Womanhood, TooMuch Vox Populi?, The Curse of Labels, The Broadening Down ofDemocracy, Science in America, The Causes of War, On BeingOld-Fashioned, and The Right to Denounce Things. G. K. Chesterton Columns from Illustrated London News, 1911-1913 600 pages, paperback Ignatius Press 9780898701722

Chesterton, G. K.

Volumes 27 through 37 are collected columns from The Illustrated London News. Most of the weekly articles Chesterton wrote for The Illustrated London News have never been printed in book form until Ignatius Press undertook to do the collected works. These volumes contain all of Chesterton's columns in The Illustrated London News, beginning in 1905. The great majority have never appeared in book form. Chesterton lovers will be delighted to find this treasure filled with jewels quite the match of his best writing.

The three great apologies of G.K. Chesterton—Heretics, Orthodoxy, and The Everlasting Man—are collected in one volume, showcasing his significant influence on modern Christian apologetics and beyond. His writings have shaped the thoughts of diverse authors like C.S. Lewis, Marshall McLuhan, and Jorge Luis Borges, marking him as a vital presence in contemporary Catholic thought. Ronald Knox noted that Chesterton's influence is so pervasive that it often goes unrecognized. C.S. Lewis, reflecting on his own journey, acknowledged that reading Chesterton posed a challenge to his atheism. In an era dominated by materialism and emerging political theories, Chesterton's voice advocated for a return to fundamental Christian doctrines, emphasizing their enduring purpose amidst societal chaos. He illustrated the need for thoughtful reform, warning against hasty destruction of established beliefs. In his three major works, Chesterton critiques modern beliefs, defends Christian values, and narrates the remarkable story of Christianity. Known as the "prince of paradox," he engaged in spirited debates with contemporary thinkers and produced a wealth of writings, including biographies and fiction. Despite his personal indulgences, his genuine goodness and common sense drew many toward the Church, leading to ongoing discussions of his potential Beatification.

Two of G. K. Chesterton's most important and well-known works are contained in this volume: Heretics, and Orthodoxy. In Heretics, Chesterton addresses the intellectual movements of his time that he considered most prominent and destructive. Chesterton confronts relativism, individualism, neo-paganism, and other trends of the modern period, paying special attention to the artists and intellectual elite of his time. Orthodoxy, a classic that is part memoir, part apologetic. It exhibits Chesterton at his finest--a combination of literary wit, theological acumen, and pointed cultural critique. The two works complement each other perfectly, providing an accessible entry point to the battleground of truth and falsehood. Lexham Classics are beautifully typeset new editions of classic works. Each book has been carefully transcribed from the original texts, ensuring an accurate representation of the writing as the author intended it to be read.

A comical futurist fantasy, first published in 1904, about a tradition-loving suburban London community of the 1980's at war with its modernizing neighbors. 7 illustrations by W. Graham Robertson. New Introduction by Martin Gardner.

Set in a quaint English village, the story delves into the legend of three ominous trees said to bring death to those who dare approach them. Through a captivating mystery, G.K. Chesterton examines the interplay between rationality and superstition, revealing how human folly and pride can shape beliefs. The novella intricately intertwines these themes, offering a thought-provoking narrative that challenges perceptions and explores the consequences of unchecked pride.

Set against the backdrop of the conflict between Christianity and paganism, this epic poem vividly recounts the legendary adventures of King Alfred the Great and the pivotal battle of Ethandune. It explores timeless themes of power, courage, love, and faith, resonating with readers facing modern secular challenges. Drawing on the classical tradition of epic poetry, it delves into human values and moral choices, ensuring its status as a compelling and memorable work that has captivated generations. This edition features large print for enhanced readability.

Known for his paradoxical style and wit, Chesterton was a prolific English writer and philosopher who created the beloved character Father Brown, a priest-detective. His works, including Orthodoxy and The Everlasting Man, explore themes of faith and reason, appealing to a broad audience despite differing views. A self-identified "orthodox" Christian, Chesterton's journey led him to embrace Roman Catholicism, reflecting his deep engagement with theological questions and the complexities of belief.

DTV Zweisprachig englisch & deutsch Texte für Könner 'Ich bin ein Mensch und habe daher alle Teufel im Herzen.' Unter den Meisterdetektiven der Krimi-Weltliteratur - man denke an Sherlock Holmes oder Hercule Poirot - ist Father Brown insofern ein Unikum, als er im Hauptberuf Pfarrer ist und demzufolge seinen kriminalistischen Spürsinn weniger auf die 'äußere Logik' des Tathergangs als auf die 'innere Logik' und die Motivation des Täters richtet. Während der kriminalistische Fachmann bei den Ermittlungen auf den Holzweg gerät, gelingt es dem Amateur, rundlich, unbeholfen, zerstreut wirkend, den Fall zu lösen und der Gerechtigkeit zum Sieg zu verhelfen - dank seines gesunden Menschenverstands, seiner scharfen Beobachtungsgabe und seiner im Beichtstuhl erworbenen Menschenkenntnis. The Hammer of God · Der Hammer Gottes The Mirror of the Magistrate · Der Spiegel des Richters The Blast of the Book · Der Fluch des Buches

More of the unpublished gems of Chesterton's column from the Illustrated London News . Many Chesterton buffs feel these include some of Chesterton's finest writings. Though written for his very popular newspaper column over 70 years ago, Chesterton's timeless wisdom is just as relevant today as it was then. Some of the topics of the 130 columns in this volume include "The Duties of a Citizen", "Being Too Serious About Animals", "Feminist Ideas About Women", "The Idols of Agnostics", "Pride The Supreme Evil", "The Dead Words of Pacifists", "False Mirror of Success", "Two Creeds in Collision", "My Country, Right or Wrong?", and "A Peace Worthy of War".

Diving into diverse characters and thought-provoking essays, this collection showcases G.K. Chesterton's wit and wisdom. The book covers a range of topics, including politics and philosophy, offering timeless insights and profound observations on the complexities of human nature and society. Readers are captivated by Chesterton's unique perspective and engaging prose, making it a compelling exploration of the human experience.

Included here are some of the well-loved Father Brown detective stories, surely among the best in the genre, and a range of poetry, serious and light- hearted - Chesterton wrote some of the best nonsense and satirical verse in the language.

Featuring the author's early work and previously unpublished material, this volume abounds in fairy stories, comic verse, and satirical ballads -- and best of all, Chesterton's distinctive color and black-and-white illustrations.

Antologie 3x3 English Authors je určena všem, kteří ve studiu angličtiny dosáhli určitého stupně pokročilosti. Jedná se o anglicko-český zrcadlový text tří detektivních povídek známých autorů: G. K. Chestertona, A. C. Doyla a H. G. Wellse. Sestavil a přeložil Ivo Pospíšil.

First published in 1911, The Innocence of Father Brown is the first of G. K. Chesterton's mystery anthologies featuring his eponymous Roman Catholic sleuth. There are twelve Father Brown mysteries in this collection: The Blue Cross, The Secret Garden, The Queer Feet, The Flying Stars, The Invisible Man, The Honour of Israel Gow, The Wrong Shape, The Sins of Prince Saradine, The Hammer of God, The Eye of Apollo, The Sign of the Broken Sword and The Three Tools of Death.

Chesterton expounds the 'genius of Geoffrey Chaucer' in this literary biography which explores both the writer and his time. He claims that Chaucer and his Age were 'more sane, more normal and more cheerful than writers that came after him' and the characters he portrayed have an immediate contemporary relevance. Beautifully and sensitively written, this biography about the 'Father of English Poetry' will inform and inspire.

Alec Guinness verkörperte ihn in England, Heinz Rühmann machte ihn in Deutschland populär: den lebensklugen und gewitzten Pater Brown. Mit detektivischem Spürsinn und der zielsicheren Gabe, sich in kriminelle Geister hineinzudenken, löst er ein ums andere andere Mal die kniffligsten Fälle, auf Gott und seine stoische Ruhe vertrauend. Chestertons abenteuerliche Geschichten erschienen zwischen 1910 und 1935 und erfreuten sich schnell außerordentlicher Beliebtheit - die vorliegende Auswahl präsentiert die besten und beliebtesten von ihnen.

Chestertonovi se připisují v literatuře dva objevy: tím prvním je katolický kněz otec Brown, který se na rozdíl od Sherlocka Holmese řídí zásadně znalostí lidských postav a nikdy dedukcí. Druhým objevem, v literatuře i v životě mnohokrát napodobovaným, je klub gentlemanů, kteří musí k získání členství vykonávat co nejpodivnější zaměstnání. Dvojjazyčné vydání s gramatickým a jazykovým komentářem pod čarou.

This volume contains all of G.K. Chesterton's columns in The Illustrated London News from 1932 to 1934. Most of the weekly articles have never been printed in book form until Ignatius Press undertook to do the collected works. Chesterton lovers will be delighted to find this treasure filled with jewels quite the match of his best writing. The breadth and depth of his knowledge - from history to politics to English fads and conventions - never fail to impress, and his wit is as refreshing as when these pieces were first written.

Charles Dickens's satirical masterpiece, "The Pickwick Papers," catapulted the young writer into literary fame when it was first serialized in 1836-37. It recounts the rollicking adventures of the members of the Pickwick Club as they travel about England getting into all sorts of mischief. Laugh-out-loud funny and endlessly entertaining, the book also reveals Dickens's burgeoning interest in the parliamentary system, lawyers, the Poor Laws, and the ills of debtors' prisons. As G. K. Chesterton noted, "Before ÝDickens ̈ wrote a single real story, he had a kind of vision . . . a map full of fantastic towns, thundering coaches, clamorous market-places, uproarious inns, strange and swaggering figures. That vision was Pickwick."

Some of the strange mysteries investigated by Father Brown, a clever little priest who turns out to be the greatest detective of them all.

A chronological collection of works by the 20th-century poet known for his humor & diversity. Includes entertainments, lyrics, hymns, political satires, & more, accompanied by commentary & Chesterton's own b&w illus.

Rare or hard-to-find detective stories, including T̀he man who shot the fox', which has never appeared before in book form.

A Christmas Carol 'Bah! Humbug!' Mr Scrooge is a squeezing, wrenching, grasping, scraping, clutching, miserable old man. Nobody stops him in the street to say a cheery hello; nobody would dare ask him for a favour. And I hope you'd never be so foolish as to wish him a 'Merry Christmas'! Scrooge doesn't believe in Christmas, charity, kindness - or ghosts. But one cold Christmas Eve, Scrooge receives some unusual visitors who show him just how very mistaken he's been... The Chimes The second of his series of Christmas books, Charles Dickens wrote The Chimes one year after A Christmas Carol. Tackling familiar themes of redemption, social injustice and family, it is a story of hope and contemplation and is a moving festive read well worth discovering.

G.K. Chesterton's brilliant sketch of the life and thought of Thomas Aquinas is as relevant today as when it was published in 1933. Then it earned the praise of such distinguished writers as Etienne Gilson, Jacques Martain, and Anton Pegis as the best book ever written on the great thirteenth-century Dominican. Today Chesterton's classic stands poised to reveal Thomas to a new generation.Chesterton's Aquinas is a man of mystery. Born into a noble Neapolitan family, Thomas chose the life of a mendicant friar. Lumbering and shy -- his classmates dubbed him "the Dumb Ox" -- he led a revolution in Christian thought. Possessed of the rarest brilliance, he found the highest truth in the humblest object. Having spent his life amid the vast intricacies of reason, he asked on his deathbed to have read aloud the Song of Songs, the most passionate book in the Bible.As Albert the Great, Thomas's teacher, predicted, the Dumb Ox has bellowed down the ages to our own day. Chesterton's book will enlighten those who would consign Thomas to the obscurity of medieval times. It will confound those who would use Thomas to bolster arid schemes of Christian rationalism. Rather, it will introduce the wondrous mystery of the man who, after a life of unparalleled genius, was seized by a vision of the Unknown and said, "I can write no more. I have seen things which make all my writings like straw."

zjednodušená anglická četba, vhodná při přípravě na zkoušku FCE jako doplňkový materiál ( úroveň B2 - Upper-Intermediate, slovní zásoba 2 200 slov) věk 16+ Popis: úroveň B2 podle Společného evropského referenčního rámce Macmillan Readers v této pokročilosti můžete číst asi po více než třech letech studia angličtiny. Většina titulů je balena…

Father Brown, the unassuming detective, stands among the most famous sleuths like Sherlock Holmes and Hercule Poirot, yet he fundamentally differs from them. He is a specialist in the criminal's soul, understanding their passions, weaknesses, and tricks. For him, the logic of murder is primarily a tragic logic of motivation. He knows that especially in affluent societies, vices thrive, as this "class recognizes no authority, not even the law." The perfect crime does not exist; there is always a missing key detail in the picture. Deception and lies have their limitations; one just needs to know how to look. Chesterton viewed detective fiction as one of the highest artistic genres, as at the heart of crime lies the existential question of life's meaning. Perhaps this is why the stories of Father Brown are so captivating.

Renowned for his paradoxical style, Chesterton skillfully employed proverbs and allegories to convey profound insights. He is best known for creating Father Brown, a fictional priest-detective, and for his influential works on apologetics, including Orthodoxy and The Everlasting Man. His journey of faith led him from high church Anglicanism to Roman Catholicism, reflecting his deep commitment to orthodox Christianity. Despite differing opinions, his writings resonate widely, showcasing his unique blend of wit, philosophy, and theological exploration.

Like much of G. K. Chesterton's fiction, "The Ball and the Cross" is both witty and profound, cloaking serious religious and philosophical inquiry in sparkling humor and whimsy. Serialized in the British publication "The Commonwealth" in 1905-06, Chesterton's second novel first appeared in book form in America in 1909, delighting and challenging readers with its heady mixture of fantasy, farce, and theology. The plot of "The Ball and the Cross "chronicles a hot dispute between two Scotsmen, one a devout but naive Roman Catholic, the other a zealous but naive atheist. Their fanatically held opinions--leading to a duel that is proposed but never fought--inspire a host of comic adventures whose allegorical levels vigorously explore the debate between theism and atheism. Martin Gardner's superb introduction to "The Ball and the Cross" reveals the real-life debate between Chesterton and a famous atheist that provided inspiration for the story, and it explores some of the novel's possible allegorical meanings. Appraising the book's many intriguing philosophical qualities, Mr. Gardner alerts readers as well to the pleasures of its "colorful style . . . amusing puns and clever paradoxes . . . and the humor and melodrama of its crazy plot." Unabridged Dover (1995) republication of the work originally published in 1909-1910. New Introduction by Martin Gardner.

"What's Wrong with the World" by G. K. Chesterton is written with a strong point of view and perspective for his time. Chesterton tells of the struggles and challenges of his time, but also considers how to improve them. In this title G. K. Chesterton writes on education, big business, feminism, and many other topics. This important book of essays is just as readable today as when it was first written and offers a remarkable perceptive analysis on social and moral issues. With hints of a humorous tone, he handles serious philosophy and his views on society. Chesterton was genius in foreseeing the dangers of taking on modernist proposals, and he knew that with lax moral standards there would follow a slue of other issues and eventually lead to the dehumanization of man.

Una rappresentazione avvincente del lato oscuro e criminale di Londra, la storia segue Oliver Twist, un orfano che affronta il male e le avversità fin dalla nascita, scioccando i lettori al momento della sua pubblicazione. Dopo essere fuggito dall'ospizio e dal pomposo Mr. Bumble, Oliver viene attirato in un covo di ladri popolato da personaggi vividi come l'Artful Dodger, il brutale ladro Bill Sikes, il suo cane Bull's Eye e la prostituta Nancy, tutti sotto l'occhio vigile del maestro ladro Fagin. Fondendo elementi di Gothic Romance, Newgate Novel e melodramma popolare, Dickens ha creato un nuovo tipo di narrativa che critica una società crudele, intrisa di una sensazione di minaccia e mistero. L'opera offre una critica sociale profonda, rivelando le ingiustizie e le sofferenze dei più vulnerabili, mentre esplora temi di innocenza, corruzione e la lotta per la sopravvivenza in un mondo spietato.

Though he was on the whole a fun loving and gregarious man, during adolescence Chesterton was troubled by thoughts of suicide. In Christianity he found answers to many of the dilemmas and paradoxes of life. Throughout Heretics he provides a very personal critique of contemporary religious notions. His consistently engaging but often wayward humour is mixed liberally with daring flights of fancy and some startling turns of thought. A highly original contribution to one of the major debates of the last century - one that continues to exercise leading thinkers in the present one.

When the government cracks down on alcohol sales, two men decide to leave their small fishing village to avoid the law and find new opportunities. The Flying Inn is an irreverent satire that delivers a unique commentary on power and politics. Humphrey Pump, also known as "Hump," is a bar owner whose business is undercut by strict alcohol regulations. Adult beverages can only be sold when a pub sign in present. But instead of adhering to the rules, he hits the road with a sign and barrel of rum in tow. Pump is joined by Patrick Dalroy, an entertaining companion, who is just as committed to his wandering way of life. Despite their attempts to escape police, the rogue partners are eventually roped into a much larger plot. The Flying Inn is a daring piece of speculative fiction that uses satire to balance its more serious elements. Published in 1914, the story is greatly influence by the social and political concepts of its day. This gives readers insight into the many fears surrounding early twentieth century government. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Flying Inn is both modern and readable.

Written by a master of the tongue in cheek, G.K. Chesterton's ingenious and, above all, paradoxical stories introduce Basil Grant, a sleuth so finely portrayed as to rival Sherlock Holmes. Eschewing facts for physiognomy, deduction for intuition, method for madness, he moves unerringly to his goal.

This Is A New Release Of The Original 1907 Edition.

Written with intelligence and authority, these twenty-three essays provide an insight into the works of the literary genius of Charles Dickens. Chesterton greatly admired Dickens as a social prophet and a defender of the common man. Here, he focuses both on the style and ideology of Dickens and provides the critical insight into his work with his characteristic perceptive generosity. Chesterton is still regarded by many as one of the most accomplished and perceptive critics of Dickens. As much about his strongly held beliefs as about Dickens this volume is sure to inform and give pleasure to advocates of both writers.

Focusing on political and economic themes, this collection showcases Sir G.K. Chesterton's incisive critique of the wealthy elite and their detrimental influence on society. Through a series of articles, he explores how a profit-driven mindset undermines essential human qualities, highlighting the impact on daily life. Chesterton's unique blend of humor and logical reasoning effectively conveys his political-economic philosophy, making this compilation a compelling reflection of his views during his time.

It will be very reasonably asked why I should consent, though upon a sort of challenge, to write even a popular essay in English history, who make no pretence to particular scholarship and am merely a member of the public. The answer is that I know just enough to know one thing: that a history from the standpoint of a member of the public has not been written. What we call the popular histories should rather be called the anti-popular histories. They are all, nearly without exception, written against the people; and in them the populace is either ignored or elaborately proved to have been wrong. It is true that Green called his book "A Short History of the English People"; but he seems to have thought it too short for the people to be properly mentioned. For instance, he calls one very large part of his story "Puritan England." But England never was Puritan. It would have been almost as unfair to call the rise of Henry of Navarre "Puritan France." And some of our extreme Whig historians would have been pretty nearly capable of calling the campaign of Wexford and Drogheda "Puritan Ireland."

The narrative explores the profound reflection sparked by discovering a weathered gargoyle near an abandoned abbey. This encounter prompts a contemplation of the grotesque in art and its symbolic significance, leading to an introspective journey through the evolution of artistic expression. The imagery of the dragon-like visage evokes themes of history, decay, and the intersection of nature and human creativity, inviting readers to ponder the deeper meanings behind artistic forms.

Gilbert Keith Chesterton (1874-1936) was an influential English writer of the early 20th century. His prolific and diverse output included journalism, philosophy, poetry, biography, Christian apologetics, fantasy, and detective fiction. Chesterton has been called the "prince of paradox." He wrote in an off-hand, whimsical prose studded with startling formulations. He is one of the few Christian thinkers who are equally admired and quoted by both liberal and conservative Christians, and indeed by many non-Christians. And in his own words he cast aspersions on the labels saying, "The whole modern world has divided itself into Conservatives and Progressives. The business of Progressives is to go on making mistakes. The business of the Conservatives is to prevent the mistakes from being corrected." Chesterton wrote many books among which are: All Things Considered (1908), Alarms and Discursions (1910), The Ballad of the White Horse (1911), The Appetite of Tyranny (1915), The Everlasting Man (1925), The Secret of Father Brown (1927) and The Scandal of Father Brown (1935).

Shrewd and punctilious, with an intuitive awareness of the dark secrets of human nature gained in the confessional, Father Brown is well equipped to uncover the startling truth wherever murder, mayhem and mystery stalk society.

Great Crime Stories gathers together the best fictional stories of crime and criminals, of strange and horrible happenings, of ghosts and grisly deeds. There are beautifully crafted short stories by some of the giants of literature, as well as rediscovered gems by some of the well-known names of yesteryear. From Margery Allingham to Saki this is a collection that makes all the memorable features of the crime story and distills a heady brew that will satisfy the most discerning and demanding of readers.

Případy otce Browna. G. K. Chesterton (1874-1936) patří mezi nejplodnější anglické spisovatele první poloviny 20. století. Je autorem mnoha literárních děl i náboženských pojednání. Nesmrtelně se zapsal do literatury jako autor neobvyklého detektiva otce Browna, svérázné, na první pohled poněkud směšné postavičky v kněžském rouchu, jenž na rozdíl od svého „kolegy" Sherlocka Holmese neřeší případy za pomoci chladné dedukce, ale díky hluboké znalosti lidské povahy a psychologie.

Ultimo e incompiuto romanzo di Dickens (la stesura fu interrotta dalla morte dell'autore) viene qui presentato in una nuova traduzione così innovativa da rendere pressoché evidente la soluzione del giallo. Perché di giallo si tratta, con tanto di cadavere (forse...) scomparso e di personaggi che indagano. La vicenda, ambientata a Rochester, è quella di un matrimonio contrastato con il futuro sposo che misteriosamente scompare. La mancata sposa è naturalmente contesa da laidi ed equivoci personaggi sui quali ricadono i sospetti della sparizione. L'affascinante indeterminatezza del tutto è significativamente sottolineata ed esaltata dal ricorrente tema dei fumi dell'oppio: il testo si apre e chiude in una fumeria. L'assenza della soluzione è forse metafora dell'apatia generata dalla droga? O piuttosto della caduta in Dickens dell'illusione di poter descrivere la realtà con gli strumenti della letteratura?

Selected short stories introduced by Christopher Isherwood

A CLASSIC OF CHRISTIAN APOLOGETICS The Everlasting Man is a Christian apologetics book written by G. K. Chesterton. Published in 1925, it is to some extent a deliberate rebuttal of H. G. Wells’ The Outline of History, disputing Wells' portrayals of human life and civilization as a seamless development from animal life and of Jesus Christ as merely another charismatic figure. Whereas Orthodoxy detailed Chesterton's own spiritual journey, in this book he tries to illustrate the spiritual journey of humanity, or at least of Western civilization.

A group of anarchists are under surveillance by Scotland Yard in Chesterton's hugely popular metaphysical thriller. The Supreme Anarchists Council is dedicated to overthrowing the world order. To keep their identities a secret, each of them has been named a day of the week. Gabriel Syme, an eccentric poet, is recruited by Scotland Yard to infiltrate the group. He tracks down the six men and manages to win a place on the council. But in a bizarre and surreal twist of events, Syme realises that five of the six members are not at all what they seem...

G. K. Chesterton’s Father Brown may seem a pleasantly doddering Roman Catholic priest, but appearances deceive. With keen observation and an unerring sense of man’s frailties–gained during his years listening to confessions–Father Brown succeeds in bringing even the most elusive criminals to justice. This definitive collection of fifteen stories, selected by the American Chesterton Society, includes such classics as “The Blue Cross,” “The Secret Garden,” and “The Paradise of Thieves.” As P. D. James writes in her Introduction, “We read the Father Brown stories for a variety pleasures, including their ingenuity, their wit and intelligence, and for the brilliance of the writing. But they provide more. Chesterton was concerned with the greatest of all problems, the vagaries of the human heart.”

David, orfano di padre, vive una infanzia felice con la madre, ma questa poi si risposa con il signor Murdstone, un uomo crudele che la porta alla tomba. Privo di affetti, David sperimenta la dura scuola del maestro Creakle. Il patrigno gli impone un lavoro avvilente in un negozio di Londra. Disperato fugge a piedi a Dover, dove una zia, Betsey, accetta di occuparsi di lui. Lo manda a Canterbury, per educarlo, in casa del suo avvocato, padre di Agnes, una dolce fanciulla. Divenuto cronista parlamentare e conquistata anche fama letteraria, David sposa Dora che pochi anni dopo muore. Il giovane allora si accorge della dolce Agnes che sposa, dopo aver salvato il futuro suocero dalle trame del suo amministratore. Annotation Supplied by Informazioni Editoriali