Eugene O´Neill Ordine dei libri

Featuring six renowned plays by Eugene O'Neill, this annotated edition offers insights into his most significant works, including "Mourning Becomes Electra" and "Long Day's Journey into Night." The collection is enhanced by an introduction from Herman Daniel Farrell III, providing context and analysis that enrich the reader's understanding of O'Neill's themes and characters. This edition serves as both a tribute to O'Neill's legacy and a valuable resource for students and enthusiasts of American theater.

The Pulitzer Prize-winning play delves into the intricacies of the human psyche, exploring themes of love and loss through its innovative use of soliloquies. Characters reveal their innermost thoughts and emotions, creating a rich tapestry of conflicting desires and existential dilemmas. Set against the backdrop of early 20th-century America, the narrative challenges conventional storytelling, offering a profound examination of the human condition and the impact of societal expectations on personal relationships.

The play features Yank, a laborer who grapples with his identity and place in a class-divided society. Initially confident in his strength and role aboard an ocean liner, he confronts the harsh realities of his existence as he seeks acceptance among the wealthy. Through Yank's journey, the themes of class struggle and alienation are explored, highlighting the conflict between the working class and the elite. O'Neill's expressionist style amplifies the emotional intensity of Yank's quest for belonging.

The first American dramatist to ever receive the Nobel Prize, Eugene O'Neill is the most renowned American playwright of the 20th century. Included in this edition are four plays from his extraordinary career: "Beyond the Horizon, Anna Christie, The Emperor Jones", known for its unusual stage devices and powerful use of symbolism, and "The Hairy Ape", one of O'Neill's experiments in expressionism.

Collects three plays from the Nobel and Pulitzer prize winning playwright.

Winner of four Pulitzer Prizes and the first American dramatist to receive a Nobel Prize, Eugene O'Neill filled his plays with rich characterization and innovative language, taking the outcasts and renegades of society and depicting their Olympian struggles with themselves-and with destiny.

Two plays from one of the twentieth century's most significant writers, developed and conceived in tandem, drawing on the raw experience of the author's own family relationships.

Winner of the Nobel Prize These three plays exemplify Eugene O'Neil's ability to explore the limits of the human predicament, even as he sounds the depths of his audiences' hearts.

Into a waterfront bar, full of life's failures, subsisting solely on their dreams, comes Hickey with his urge to make them face the truth. This play, first staged in 1946, is written by the author of Anna Christie and Strange Interlude, who won the Nobel Prize for Literature in 1936.

In this previously unpublished work Eugene O'Neill returned to an earlier form with which he had experimented—the one-act play. Only two characters appear on stage; Hughie, the third and most important on, is dead. It is Hughie's innocence, gullibility, and need to believe in a far more exciting existence than he ever knew which gives some kind of purpose to the shabby lives of the two who remain. O'Neill here again writes of the defeated and the courage that comes by way of illusions reflecting still other illusions in a world that needs them all. Hughie, the only surviving manuscript from a series of eight one-act monologue plays that O'Neill planned in 1940, was completed in 1941.