Anett Koch Libri

Master's Thesis from the year 2014 in the subject Communications - Movies and Television, 1,3, University of Mannheim, English, By using music, dancing, colorful settings and costumes to accompany the dramatic story, Baz Luhrmann's films stimulate all senses and intensify the movie experience to a degree that makes viewers aware of the artificiality and artistry involved. So-called "Red Curtain" films keep the audience engaged at all times by using theatrical rather than naturalistic cinema devices. This approach of storytelling is a conscious choice that can be attributed to Luhrmann's comprehensive experience in arts and media. Although he is best known for his visually and symbolically charged films, Luhrmann has also worked in theater and opera - both behind and on stage. In addition, he has produced music videos and worked in journalism and fashion. Thus, it is not surprising that all these experiences influence his current work. Luhrmann's films are characterized by a theatric style that combines dancing and singing with rapid cuts and editing, giving the impression that one is participating in the live action rather than just sitting passively in the auditorium.

Christopher Nolan's film "Memento" critically examines the overwhelming visual stimuli of contemporary life, questioning the nature of traditional cinema. Through innovative use of camera techniques, photographs, and mirrors, the film highlights the artificiality of visual media and its impact on identity and perception. It explores how our understanding of the world and our self-concept are shaped by these visual influences, ultimately challenging viewers to reconsider the role of visuality in their lives.

Exploring the representation of women in patriarchal culture, this thesis analyzes how female figures serve as symbols for male fantasies, as articulated through language and visual media. It draws on Mulvey's theories to discuss the dynamics of power and meaning, positioning women as passive bearers rather than creators of significance. The work critically examines the implications of this symbolic order and its impact on gender roles within film and television, contributing to the discourse on gender representation in visual culture.