The Blind Man
- 232pagine
- 9 ore di lettura
Robert Desjarlais è un antropologo e scrittore che si addentra nei profondi temi della vita, della morte e della perdita. Il suo lavoro esplora l'esperienza umana in diversi paesaggi culturali, dai mondi buddisti alle vite di coloro che sperimentano la mancanza di un alloggio. Attraverso la sua scrittura, Desjarlais offre profonde intuizioni sulla psiche umana e sulle strutture sociali. I suoi contributi letterari offrono una prospettiva unica sull'essenza dell'essere umano.





Presents a study of the relationship between culture and emotional distress, an examination of the cultural forces that influence, make sense of, and heal severe pain and malaise.
This ethnography stands out for its exquisite craftsmanship and powerful illustrations that enhance the narrative. It delves into significant theoretical discussions while capturing the essence of human conversation, offering a unique perspective that is rarely found in similar works. The author's approach provides valuable insights, making it an important contribution to the field.
If any anthropologist living today can illuminate our dim understanding of death’s enigma, it is Robert Desjarlais. With Subject to Death , Desjarlais provides an intimate, philosophical account of death and mourning practices among Hyolmo Buddhists, an ethnically Tibetan Buddhist people from Nepal. He studies the death preparations of the Hyolmo, their specific rituals of grieving, and the practices they use to heal the psychological trauma of loss. Desjarlais’s research marks a major advance in the ethnographic study of death, dying, and grief, one with broad implications. Ethnologically nuanced, beautifully written, and twenty-five years in the making, Subject to Death is an insightful study of how fundamental aspects of human existence—identity, memory, agency, longing, bodiliness—are enacted and eventually dissolved through social and communicative practices.
In this highly original work, Robert Desjarlais and Khalil Habrih present a dialogic account of the lingering effects of the terroristic attacks that occurred in Paris in November 2015. Situating the events within broader histories of state violence in metropolitan France and its colonial geographies, the authors interweave narrative accounts and photographs to explore a range of related phenomena: governmental and journalistic discourses on terrorism, the political work of archives, police and military apparatuses of control and anti-terror deterrence, the histories of wounds, and the haunting reverberations of violence in a plurality of lives and deaths. Traces of Violence is a moving work that aids our understanding of the afterlife of violence and offers an innovative example of collaborative writing across anthropology and sociology.