Nora Görne Libri

The research paper explores the cultural phenomenon of The Rocky Horror Picture Show, highlighting its status as the longest-running film with regular screenings since 1975. It emphasizes the unique tradition of audience participation, where viewers engage actively by dressing as characters and responding to the film, challenging conventional cinema etiquette. This interactive experience has created a dedicated fan base and transformed the way films are traditionally experienced, making RHPS a significant study in theater and media.

The paper examines the collapse of the U.S. housing bubble in 2007, highlighting its role as a catalyst for the subsequent global financial crisis. It analyzes the macroeconomic implications of the housing market's downturn and its effects on financial systems worldwide. By focusing on the causes and consequences of the crisis, the study provides insights into economic vulnerabilities and the interconnectedness of global markets. The research contributes to understanding the dynamics of macroeconomic stability and the importance of regulatory measures.

The paper examines the geopolitical implications of rare earth metals, which are essential for various technologies yet often overlooked. It highlights China's dominance in production, supplying 97% of global demand by 2010, and discusses the significant price increases and trade embargoes, particularly against Japan. The analysis considers whether China's monopoly poses a security threat to the United States, supported by a review of security literature and the Copenhagen school approach. Solutions to this potential security issue are also explored.

This research paper explores Franz Schubert's lesser-known stage works, highlighting that despite his reputation as a master of Lieder, only a few of his operas were performed during his lifetime. The paper critiques the common belief that poor libretti are to blame for their obscurity, examining the complex history of German opera.

Die Studienarbeit untersucht die Bedeutung des liturgischen Dramas "Ludus Danielis" im Kontext der biblischen Erzählung über König Belsazar und die Schrift an der Wand, die auch von Künstlern wie Händel und Byron aufgegriffen wurde. Besonderes Augenmerk liegt auf der Analyse der Literatur zu diesem mittelalterlichen Werk und der Frage, ob es als frühe Form der Oper betrachtet werden kann. Zudem wird das Problem der Datierung des Dramas behandelt, wobei die "Historia de Daniel Representanda" von Hilarius in die Betrachtung einfließt.