Bernhard Schlink Libri

Quali possono essere oggi le forme dell'amore e dell'abbandono? BernhardSchlink le esplora in sette storie venate d'erotismo, spesso ambientate in unacittà indimenticabile come la Berlino degli anni subito successivi alla cadutadel Muro. Tutti i protagonisti di "Fughe d'amore" vivono il loro tempo e lesue trasformazioni con grande intensità, ma subiscono anche i contraccolpi diun passato che non passa. Sospese tra passione e disperazione, questi raccontiportano con sé un sapore agrodolce e la lezione saggia e crudele dell'amore.

Siamo negli anni Cinquanta e Michael Berg attraversa i primi turbamenti dell'adolescenza. Quando un giorno, per la strada, si sente male, viene soccorso da Hannah, che ha da poco superato la trentina. Colpito da questa donna gentile e sconosciuta, irresistibilmente attratto dalla sua misteriosa e profonda sensualità, Michael riesce a rintracciarla. Tra loro nasce un'intensa relazione, fatta di passioni e di pudori. Presto, però, Michael intuisce che nella vita di Hannah, nel suo passato, ci sono altri misteri: qualcosa che lei non può rivelargli e che segnerà per sempre il destino di entrambi. A voce alta è una storia d'amore struggente, emozionante, ricca di colpi di scena. Nell'inseguire un segreto che non può essere tradito, Bernhard Schlink ci regala un romanzo pervaso di passione e sensualità, e offre una riflessione di forte presa poetica sulla storia del nostro secolo.

Set against the backdrop of German reunification, this novel delves into the complexities of identity, belonging, and the personal ramifications of historical change. It weaves together poignant narratives that explore the struggles and transformations faced by individuals during this pivotal moment in history. The author, known for their bestselling work "The Reader," brings a rich tapestry of characters and emotional depth, capturing the essence of a nation in transition and the intertwined fates of its people.

A conversation between strangers on a long-haul flight will change lives for ever; one night in Baden-Baden will threaten to tear a couple apart; a meeting with an ex-lover will give a divorcee a second chance; holiday lovers will struggle in the harsh reality of daily routine... As Schlink's characters navigate their lives, we discover the many faces of love: the small betrayals, hidden truths and abiding affections. In Schlink's trademark spare prose, we come face-to-face with the desires and jealousies that define our daily lives, with the fragility of happiness, and with the abiding possibility of hope. Tender yet unsentimental, achingly personal yet utterly universal, SUMMER LIES asks what it means to love, to deceive and ultimately, to be human.

Gerhard Self, the Sweet-Afton smoking, sambuca-swilling, most unlikely of PIs is back in a new tale of deception and intrigue, set against the backdrop of post-reunification Germany. After a chance encounter with the owner of a prestigious private bank, the now septuagenarian detective is enlisted to delve into the institution's history, apparently in the name of a book to commemorate the bank's foundation. But his seemingly anodyne brief - to discover the identity of a sleeping partner from several decades before - throws up far more questions than answers. As it becomes clear that the sleeping partner is in no way the most mysterious aspect of the bank's history, Self begins to suspect his mission may have been but a ruse to lure him into the shady world of the bank's enigmatic masters - a certain Herr Welker and his steely Russian foster brother Samarin. Trying in vain to extricate himself and his increasingly shaky heart from the web of deceit - and to work out who really is the baddie of the piece - Self is thrown headlong into a tale of money-laundering, murder and mafiosi. But who is blackmailing whom? Did Welker's wife really die in a tragic accident? And why is a washed-up old Stasi man pretending to be Self's long-lost son? Join Gerhard, the irascible armchair philosopher, on his most danegrous and far-reaching mission to date.

As a child raised by his mother in post-war Germany, Peter Debauer becomes fascinated by a story he discovers in the proof pages of a novel edited by his grandparents. It is the tale of a German prisoner of war who escapes from a Russian camp and braves countless dangers to return home to a wife who believes him to be dead. But the novel is incomplete and Peter becomes obsessed by the question of what happened when the soldier and his wife met again. Years later, the adult Peter remembers the novel and embarks on a search for the missing pages that soon becomes a mysterious search for his own father, a German soldier whom he always believed was killed in the war.

For decades the painting was believed to be lost. But, just as mysteriously as it disappeared, it reappears, an anonymous donation to a gallery in Sydney. The art world is stunned but so are the three men who loved the woman in the painting, the woman on the stairs. One by one they track her down to an isolated cottage in Australia. Here they must try to untangle the lies and betrayals of their shared past - but time is running out. The Woman on the Stairs is an intricately-crafted, poignant and beguiling novel about creativity and love, about the effects of time passing and the regrets that haunt us all.

Old friends and lovers reunite for a weekend in a secluded country home after spending decades apart. They plumb their memories of each other and pass quiet judgments on the life decisions each has made since their youth. This isn't, however, just any old reunion, and their conversations of the old days aren't typical reminiscences.