Xiaolu Guo utilizza diversi media, tra cui il cinema e la scrittura, per raccontare storie di alienazione, introspezione e tragedia. Esplora il passato, il presente e il futuro della Cina in un mondo sempre più connesso. Il suo lavoro è caratterizzato da un'analisi dell'esperienza umana nel mezzo di cambiamenti globali e incontri culturali.
Defiant, humorous and insightful, 'Not Quite Right For Us' pierces through the hierarchical mechanics of class, race, gender. A celebration of outsiderness and an ode to otherness, 'Not Quite Right For Us' is a singular collection of stories, essays and poems by a dynamic mix of established and surging voices alike, edited by Sharmilla Beezmohun.
Xiaolu Guo meets her parents for the first time when she is almost seven. They are strangers to her. When she is born her parents hand her over to a childless peasant couple in the mountains. Aged two, and suffering from malnutrition on a diet of yam leaves, they leave Xiaolu with her illiterate grandparents in a fishing village on the East China Sea. It's a strange beginning. A Wild Swans for a new generation, Once Upon a Time in the East takes Xiaolu from a run-down shack to film school in a rapidly changing Beijing, navigating the everyday peculiarity of modern China- censorship, underground art, Western boyfriends. In 2002 she leaves Beijing on a scholarship to study in Britain. Now, after a decade in Europe, her tale of East to West resonates with the insight that can only come from someone who is both an outsider and at home. Xiaolu Guo's extraordinary memoir is a handbook of life lessons. How to be an artist when censorship kills creativity and the only job you can get is writing bad telenovela scripts. How to be a woman when female babies are regularly drowned at birth and sexual abuse is commonplace. Most poignantly of all- how to love when you've never been shown how.
The memoir chronicles Xiaolu Guo's journey from her humble beginnings in a fishing village in rural China to becoming a bold writer and filmmaker in the West. It explores her experiences, cultural transitions, and the challenges she faced along the way, highlighting her resilience and creativity as she navigates two distinct worlds.
Xiaolu Guo meets her parents for the first time when she is almost seven. This book takes Xiaolu from a run-down shack to film school in a rapidly changing Beijing. In 2002 she leaves Beijing on a scholarship to study in Britain. This memoir is a handbook of life lessons.
The narrative unfolds through the letters and diaries of Kublai Jian, a Chinese punk guitarist, revealing a passionate romance intertwined with themes of political commitment. As Iona Kirkpatrick translates Jian's handwritten pages, the tension between art and activism becomes evident, showcasing Jian's fierce love for both his ideals and Mu, a poet. This exploration of love and revolution captures the complexities of artistic expression against a backdrop of societal change.
"Life as a film extra in Beijing might seem hard, but Fenfang - the spirited heroine of Xiaolu Guo's new novel - won't be defeated. She has travelled 1800 miles to seek her fortune in the city, and has no desire to return to the never-ending sweet potato fields back home. Determined to live a modern life, Fenfang works as a cleaner in the Young Pioneer's movie theatre, falls in love with unsuitable men and keeps her kitchen cupboard stocked with UFO instant noodles. As Fenfang might say, Heavenly Bastard in the Sky, isn't it about time I got my lucky break?"--back cover
Longlisted for the Baileys Women's Fiction Prize In a flat above a noisy north London market, translator Iona Kirkpatrick starts work on a Chinese letter. Two lovers, Mu and Jian, have been driven apart by forces beyond their control. As Iona unravels the story of the lovers, Jian and Mu seem to be travelling further and further away from each other. Iona, intoxicated by their romance, sets out to bring them back together, but time is running out. Xiaolu Guo was named as one of Granta's Best of Young British Novelists
Village of Stone brilliantly evokes the harshness of life on the typhoon- battered coast of China, where fishermen are often lost to violent seas and children regularly swept away.
After a 1800-mile journey from her village to Beijing, Fenfang discovers she is the 6787th applicant for a film role. This marks the beginning of her long search for happiness!
NATIONAL BESTSELLER • An exhilarating blend of autobiography and mythology, of world and self, of hot rage and cool analysis. First published in 1976, it has become a classic in its innovative portrayal of multiple and intersecting identities—immigrant, female, Chinese, American. • NATIONAL BOOK CRITICS CIRCLE AWARD WINNER “A classic, for a reason.” —Celeste Ng, bestselling author of Little Fires Everywhere and Our Missing Hearts, via Twitter As a girl, Kingston lives in two confounding worlds: the California to which her parents have immigrated and the China of her mother’s “talk stories.” The fierce and wily women warriors of her mother’s tales clash jarringly with the harsh reality of female oppression out of which they come. Kingston’s sense of self emerges in the mystifying gaps in these stories, which she learns to fill with stories of her own. A warrior of words, she forges fractured myths and memories into an incandescent whole, achieving a new understanding of her family’s past and her own present.
