Tom Rachman Libri

Taken from home as a girl, Tooly found herself spirited away by a group of seductive outsiders, implicated in capers from Asia to Europe to the United States. But who were her abductors? Why did they take her? What did they really want? Now the American owner of an isolated bookshop in the Welsh countryside, Tooly conducts a life full of reading, but with few human beings. Books are safer than people, who might ask awkward questions about her life. Then startling news arrives from a long-lost boyfriend in New York, raising old mysteries and propelling her on a quest around the world in search of answers.

For admirers of Tom Rachman's work, particularly The Imperfectionists, this is a return to the formal ingenuity and technique that he exhibited so flamboyantly in his bestselling debut.

The New York Times and Globe & Mail -bestselling author of The Imperfectionists returns with an intricately woven novel about a bookseller who travels the world to make sense of her puzzling past. Tooly Zylberberg tells a story: as a child, she was stolen from home, stashed at a den of thieves, then adopted by crooks there, who ended up raising her and even using the little girl in capers around the globe. But Tooly understands only fragments of what happened in Thailand, Italy, New York and beyond. Then, a desperate message reaches her musty bookshop in Wales, and she is lured into a journey that will reveal the secret of her childhood. Celebrated for his ingenious plotting, humanity and humor, Tom Rachman has written a novel that will amplify his reputation as one of the most exciting young writers today.

The Costa Award-shortlisted novel about fathers and sons, art and the meaning of life free of legacy

The newspaper was founded in Rome in the 1950s, a product of passion and a multi-millionaire's fancy. Over fifty years, its eccentricities earned a place in readers' hearts around the globe. But now, circulation is down, the paper lacks a website, and the future looks bleak. Still, those involved in the publication seem to barely notice. The obituary writer is too busy avoiding work. The editor-in-chief is pondering sleeping with an old flame. The obsessive reader is intent on finishing every old edition, leaving her trapped in the past. And the dog-crazy publisher seems less interested in his struggling newspaper than in his magnificent basset hound, Schopenhauer. The Imperfectionists interweaves the stories of eleven unusual and endearing characters who depend on the paper. Often at odds, they are united when the focus of their lives begins to fall apart. Funny and moving, the novel is about endings - the end of life, the end of sexual desire, the end of the era of newspapers - and about what might rise afterward.

These five linked stories share the same deft characterisation, buoyant wit and imaginative richness of Rachman's lauded novels . . . Prescient and clever and it is a quick and delightful read. Nick Curtis Evening Standard

Erste Sätze, letzte Worte und all die Geschichten dazwischen Die Bücher der Schriftstellerin Dora Frenhofer werden schon lange nicht mehr gelesen. Trotzdem beschließt sie mit dreiundsiebzig Jahren, einen allerletzten Roman zu verfassen. Während ihre soziale Isolation in London immer mehr zunimmt, reist sie in ihrer Fantasie über den ganzen Globus und schlüpft in die Köpfe des verschollenen Bruders, der entfremdeten Tochter, des einstigen Liebhabers und anderer Menschen, die ihren Lebensweg gekreuzt haben. Gleich einer modernen Scheherazade verwebt Dora die verschiedenen Einzelschicksale zu einem großen Gegenwartspanorama – und einem ungewöhnlichen Selbstporträt. Ironisch wie warmherzig führt Tom Rachman uns in ›Die Hochstapler‹ die Bedeutung und Kraft der Erzählkunst vor Augen.