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Richard Hollis

    Questo autore lavora come graphic designer e designer di libri, collaborando a stretto contatto con i clienti da un piccolo studio per realizzare le loro visioni. Il suo approccio evita uno stile singolare, con ogni progetto che acquisisce la propria forma unica. Mira a coinvolgere il lettore o lo spettatore attraverso mezzi tecnici, che sfrutta efficacemente grazie alla sua esperienza di stampatore. Oltre al design, scrive e tiene conferenze sulla storia del design.

    Richard Hollis
    Cuba '62
    Avant-garde Graphics 1918-1934
    Ways of seeing
    Graphic Design in the Twentieth Century
    Graphic Design: A Concise Histroy
    Advertising and the Artist
    • Under the professional name Ashley, Ashley Havinden (1903-1973) was one of the most successful advertising artists and designers working in Britain in the 20th century. This book marks the centenary of Havinden's birth and draws extensively upon material donated from Havinden's estate.

      Advertising and the Artist
    • From its roots in the development of printing, graphic design has evolved as a means of identification, information and promotion, to become a profession and discipline in its own right. This authoritative documentary history begins with the poster and goes on to chart the development of word and image in brochures and magazines, advertising, corporate identity, television and electronic media, and the effects of technical innovations such as photography and the computer. A new final chapter in this revised edition covers the international developments and leading practitioners in graphic design over the past ten years, exploring the revolutionary impact of digital technology. With over 800 illustrations fully integrated within the text, this indispensable account is uniquely clear, comprehensive and absorbing."--Jacket

      Graphic Design: A Concise Histroy
    • Ways of seeing

      • 176pagine
      • 7 ore di lettura

      Contains seven essays. Three of them use only pictures. Examines the relationship between what we see and what we know.

      Ways of seeing