Traces the lives of ordinary people in Nazi-occupied Prague. In this ironic pageant of crossing and recrossing lives, death wins all the battles but ultimately loses the war, defeated by the fragile flowering of courage and defiance.
Marie Winn Libri
1 gennaio 1936
La scrittura di Marie Winn approfondisce l'intricato rapporto tra l'umanità e il mondo naturale, in particolare attraverso la lente della natura e del birdwatching. La sua prosa è caratterizzata da un'acuta osservazione e da un profondo apprezzamento per le complessità dell'ambiente. Winn esplora le profonde connessioni che ci legano alla terra, spesso evidenziando la bellezza e la meraviglia spesso trascurate che ci circondano. La sua prospettiva incoraggia i lettori a interagire in modo più ponderato con ciò che li circonda.
This account of one man’s tempestuous relationship with the hawk he trained is at once a comedy of errors, a classic of nature writing, and one of the best glimpses into the world of falconry. The predecessor to Helen Macdonald’s H is for Hawk, T. H. White’s nature writing classic, The Goshawk, asks the age-old question: what is it that binds human beings to other animals? White, the author of The Once and Future King and Mistress Masham’s Repose, was a young writer who found himself rifling through old handbooks of falconry. A particular sentence—“the bird reverted to a feral state”—seized his imagination and he immediately wrote to Germany to acquire a young goshawk. Gos, as White named the bird, was ferocious and free, and White had no idea how to break him in beyond the ancient of depriving him of sleep. Slowly man and bird entered a state of delirium and intoxication, of attraction and repulsion that looks very much like love. White kept a daybook describing his volatile relationship with Gos—at once a tale of obsession, a comedy of errors, and a hymn to the hawk. It was this that became The Goshawk, one of modern literature’s most memorable and surprising encounters with the wilderness—as it exists both within us and without.
