Winnie Puh: Ritorno al Bosco dei Cento Acri
Ispirato da A.A. Milne e E.H. Shepard
- 201pagine
- 8 ore di lettura
Mark Burgess è un autore la cui scrittura spazia da interessi diversi, dalla narrativa alla scienza dura. Si confronta filosoficamente con la moderna cultura dell'informazione attraverso il suo blog ed è una voce di spicco nelle conferenze internazionali, dedicata a promuovere la scienza a un vasto pubblico. La sua carriera accademica ha incluso la definizione del campo dell'amministrazione di reti e sistemi presso la Oslo University College, dove ha ricoperto cattedre. Burgess ha conseguito un dottorato in fisica teorica.






Ispirato da A.A. Milne e E.H. Shepard
Targeted at graduate students and researchers, this 2002 publication delves into the intricate connections between field theory, group theory, and dynamical systems. It offers a comprehensive exploration of advanced concepts, making it an essential resource for those seeking to deepen their understanding of these mathematical areas. The book emphasizes theoretical frameworks and applications, providing valuable insights for academic study and research in these interconnected fields.
"A View From a Hill" is the complete untold story of The Chameleons and a cautionary tale of music-business trickery from the clever pen of Post-Punk legend Burgess, the band's lead singer.
Soon, the world's information infrastructure will reach such a level of scale and complexity that scientists will have to approach it in an entirely new way. In this book, Mark Burgess focuses on the impact of computers and information today.
Blackstone Audio presents, from the unabridged collection “A.A. Milne’s Pooh Classics,” the forty-four poems from When We Were Very Young and the thirty-five poems of Now We Are Six, performed by Peter Dennis. This is the only reading of these delightful verses authorized by A.A. Milne’s son, Christopher Robin. The first of A.A. Milne’s four world-famous books for children, When We Were Very Young introduced Christopher Robin to innumerable friends and has probably been read more widely than any other book of verse for children published in our time. Now We Are Six followed, becoming a modern classic in its own right. For sheer delightfulness, the children’s rhymes of A.A. Milne are in a class by themselves with their charm, humor, understanding, and irresistible rhythms.
Little Toot the tugboat conquers his fear of rough seas when he single-handedly rescues an ocean liner during a storm.
In a rapidly evolving digital landscape, marketers must adapt from traditional methods to new strategies. "The New Marketing" offers insights from industry leaders and experts, serving as a guide for students and professionals to thrive in this transformed marketing environment. It aims to prepare them for future challenges.
The goal of Promise Theory is to reveal the behavior of a whole from the sum of its parts, taking the point of the parts rather than the whole. In other words, it is a bottom-up constructionist view of the world. Start Thinking in Promises and find out why this discipline works for documenting system behaviors from the bottom-up.
Featuring key locations such as the Hundred Acre Wood, this title takes you on a journey to the real life places that inspired the classic Winnie-The-Pooh stories such as: Pooh Sticks Bridge, Harrods and London Zoo, and favourite locations from Winnie-the-Pooh and House at Pooh Corner such as Piglet's house and Eeyore's Gloomy Place.
Once a year, the dogs in the paintings in London’s National Gallery have an exciting night out. For a few hours, they escape their gilded frames and are free to run up and down the grand staircases, chase each other round the marble halls, and explore the other exhibits. But four of the dogs overindulge and sleepily climb back into the wrong paintings. When the mix-up is discovered, the museum’s popularity soars! This playful story, with superb illustrations by Alan Curless and lovely reproductions of National Gallery paintings, provides young children with a charming introduction to fine art.