Media critics often embrace the modernist belief that digital technologies like the World Wide Web and virtual reality must break from earlier media to establish new aesthetic and cultural principles. In this richly illustrated study, the authors present a theory of mediation for the digital age that challenges this notion. They contend that new visual media gain cultural significance by honoring, competing with, and transforming earlier forms like perspective painting, photography, film, and television. This transformative process is termed "remediation," which also highlights how earlier media have influenced one another. For instance, photography has remediated painting, while film has drawn from stage production and photography, and television has remediated film, vaudeville, and radio. The authors explore individual media or genres, such as computer games and digital photography, to illustrate remediation and its two main strategies: transparent immediacy and hypermediacy. Each strategy has a complex history. For example, works by artists like Pieter Saenredam and Edward Weston, along with virtual reality systems, strive for transparent immediacy by downplaying the medium's presence. In contrast, medieval illuminated manuscripts and contemporary multimedia applications exemplify hypermediacy, showcasing a fascination with the medium itself. Though these strategies may seem contradictory, they are essential components of
Richard Grusin Libri
Richard Grusin è Professore di Inglese presso l'Università del Wisconsin-Milwaukee, la cui ricerca esplora i media, il cinema e la storia della rappresentazione. Il suo lavoro approfondisce gli studi ambientali, culturali e americani, esaminando come la nostra comprensione del mondo viene plasmata attraverso varie forme mediatiche e pratiche culturali. Grusin indaga le intricate connessioni tra percezione, mediazione e costruzione del significato. La sua erudizione offre spunti critici su come vediamo e interpretiamo il nostro ambiente e la società.
