John Bayley Libri

Approaching the tragedies as drama, wondering about their characters as he might have wondered about people in novels or in life, the author gives us a true sense of 'the tragedies joining up with life, with all our lives; leading us into a perspective of possibilities that stretch forward and back in time, and in our total awareness of things.

The greatest of Russian novelists believed that "whatever the artist depicts - saints, robbers, kings, or lackeys - we seek and see only the artist's own soul". The soul that shines through the work of Leo Nikolayevich Tolstoy (1828-1910) is a vast and contradictory thing. It generates the narrative floodtides of War and Peace and Anna Karenina and short stories so intimate that we seem to inhabit their characters rather than just observe them. Tolstoy's soul is that of a consummate artist who despises artfulness and seeks to approximate the disorder of life, of a sensualist who aspires to sainthood, of an aristocrat who identifies fiercely with the small and humble.All the aspects of Tolstoy's work and character are on display in this masterful anthology. The Portable Tolstoy includes a complete short novel, The Kreutzer Sonata; passages from the author's fictional memoirs of his childhood, youth and military life; excerpts from The Cossacks; The short stories "The Wood-Felling,""Master and Man," and "How Much Land Does a Man Need?"; the play "The Power of Darkness"; selections from such philosophic, social and critical writings as "A Confession" and "What Is Art?"; and a chronology, bibliography and critical introduction by the renowned scholar John Bayley. The result is a splendid and authoritative volume of work by a writer whose moral vision, narrative powers, and stylistic range all but defy containment.

Focusing on Pushkin as a critic, this book explores his complex relationship with literature, showcasing his enthusiasm, judgments, and frustrations. It presents the complete set of his critical writings in English, covering his reflections on both his own work and influential European authors like Byron and Shakespeare. Organized chronologically, each section includes biographical insights that track Pushkin's literary evolution, offering a captivating look into his intellectual passions through letters, articles, and notes.

Following the loss of his wife, renowned author Iris Murdoch, retired professor John Bayley finds his life transformed. As he navigates his grief, he receives an overwhelming outpouring of sympathy from fans of both Murdoch's work and his own memoir, Elegy for Iris. However, the situation becomes complicated with numerous visits from well-meaning women, bringing food and unsolicited advice, all eager to support the grieving widower. This poignant narrative explores themes of loss, memory, and the unexpected challenges of moving forward.

Borìs Pasternàk nacque nel 1890 a Mosca. Il suo ingresso nella vita intellettuale russa coincise con la moda del cubofuturismo e con le più accese esperienze di rinnovamento letterario. Ma per quanto animato da un ansioso bisogno di ricerca, egli non dimenticò mai la più genuina tradizione della sua terra come testimonia l'opera poetica e, ancor meglio e di più, il romanzo. La sua poesia, così improduttiva ai fini della propaganda, non lo mise mai in buona luce presso le autorità; egli stesso, non per una ben individuata ragione di ordine politico, ma per un preciso bisogno di salvare la libertà dell'arte e del pensiero, sin dal 1930 visse in disparte nella sua dacia di Peredelkino presso Mosca, dove morì nel 1960. Fu in questa volontaria solitudine che maturò e fu scritto Il dottor Živago. Il premio Nobel per la letteratura, conferitogli nel 1958, e l'eco enorme e l'impressione profonda suscitate in tutto il mondo dal romanzo non valsero a toglierlo dall'isolamento nè ad attenuare il gelo ufficiale della politica e della letteratura sovietica. Solo dopo decenni dalla prima edizione mondiale, Il dottor Živago venne pubblicato in Urss.

After more than three years suffering from Alzheimer's disease, the novelist and philosopher Iris Murdoch died in January 1999. Earlier that month she was taken to a home for the terminally ill, and she remained radiant and calm for the last weeks of her life. The last year or so of Iris Murdoch's life provides the framework for this book, but within this structure, John Bayley returns repeatedly to memories of his own earlier life, and of more than 40 years of marriage to Iris. Alzheimer's is a lonely predicament for the carer, and Bayley describes how he coped with the ordeal of watching his wife become terminally ill by forming a growing dependency on memory as a stand-by, consolation and friend.

In this memoir, Bayley describes the life he has shared with his wife, Iris Murdoch, afflicted with Alzheimer's disease. He explains how he has coped emotionally and practically with the illness that has beset the woman he loves and cherishes.