Amitav Ghosh Libri

Nel 1839, l'inasprimento dei divieti da parte del governo di Pechino per fermare il contrabbando di oppio porta alla guerra tra Cina e Gran Bretagna. Il soldato indiano Kesri Singh decide di abbandonare l'esercito delle Indie orientali per guidare un battaglione di volontari verso Canton, sperando di dimostrare il proprio valore. Ignaro delle avventure che lo attendono, si imbarca sulla nave Hind, insieme a Zachary Reid, un giovane marinaio in cerca della sua amata Paulette, a Mr. Mee, ufficiale britannico, e a Shireen Modi, vedova di un mercante scomparso. Mentre i cinesi reclutano lascari, marinai musulmani esperti, per apprendere l'arte della navigazione, il raja Neel, fuggito dalla schiavitù, cerca di ricostruirsi una vita come stampatore e consigliere del Commissario cinese Lin. Tra battaglie, amori inaspettati e atti di coraggio, la guerra si avvicina a un punto di svolta sotto la guida del capitano Charles Elliot, che ha un piano per costringere la Cina all'arrendersi e cedere Hong Kong all'Inghilterra. Ultimo capitolo della trilogia dell'Ibis, il romanzo affronta temi di libertà, progresso e tolleranza, rendendolo attuale e significativo. Solo un autore come Amitav Ghosh poteva dare vita a una storia così avvincente e ricca di significato.

Piya è appena arrivata a Canning, l'ultima fermata per i Sundarban, l'immenso arcipelago che si stende fra il mare e le pianure del Bengala e che, secondo la leggenda, è sorto il giorno in cui la treccia del dio Shiva si è disfatta e i suoi capelli bagnati si sono sciolti in un immenso e intricato groviglio. Piya, giovane biologa marina nata in Bengala ma cresciuta negli Stati Uniti, è arrivata in questo dedalo di fiumi e foreste per scandagliare le profondità marine. Sui corsi d'acqua di mezzo mondo, Piya si è sempre sentita protetta dalla sua inequivocabile estraneità, dai suoi capelli neri corti, dalla sua pelle scura, dai suoi lineamenti delicati di giovane donna indiana. Qui, in un posto in cui si sente più straniera che altrove, sa che il suo aspetto la priva di ogni protezione. Per Kanai Dutt, invece, l'interprete diretto a Lusibari per decifrare un misterioso diario lasciatogli da uno zio, l'arcipelago è soltanto il paesaggio dove poter sfoggiare l'agilità e la prontezza del viaggiatore capace di cogliere istintivamente l'attimo. Soltanto per Fokir, il pescatore, i Sundarban sono il mondo. A bordo della sua barca, fatta di canne, foglie di bambù e fragili assi di legno, Fokir conosce ogni angolo di quest'universo, e sa che qui non esistono confini tra acqua dolce e salata, fiume e mare, terra e acqua, poiché quotidianamente le maree penetrano fin dentro le pianure del Bengala e foreste e isole intere scompaiono.

Nel settembre del 1838, una tempesta devastante colpisce la goletta Ibis, in viaggio verso Mauritius con un carico di coolie e delinquenti. Nonostante la furia dell'uragano, la nave resiste, ma nel caos della tempesta, una scialuppa si distacca, portando a bordo due lascari e tre coolie: Kalua, un ex lottatore, Ah Fatt, figlio di un mercante di Bombay e di una donna cinese, e Neel, un raja indebitato. Poco dopo, il brigantino Redruth, comandato da Fitcher Penrose, arriva a Mauritius, dove si trova uno dei più prestigiosi orti botanici del mondo. Tuttavia, Bahram Modi, un mercante Parsi in viaggio da Bombay a Canton con la sua nave Anahita, affronta una crisi: durante la tempesta, il suo carico di oppio si è disperso. Bahram, noto come Barry Moddie, sperava di raggiungere Fanqui-town, ma ora gran parte della sua merce è andata perduta e i venti di guerra si avvicinano. Il romanzo, parte della trilogia della Ibis, esplora le acque tumultuose dell'Oceano indiano durante il primo conflitto dell'oppio, intrecciando le storie di mercanti, soldati della Compagnia delle Indie orientali, coolie e raja, rivelando il complesso intreccio di culture e conflitti che ha plasmato l'India moderna.

Commerciante di libri rari e oggetti d’antiquariato, Deen Datta vive a Brooklyn, ma è originario del Bengala, dove le leggende locali hanno sempre fatto parte della sua infanzia. Durante un viaggio a Calcutta, incontra Kanai Dutt, un parente che gli racconta la storia di Bonduki Sadagar, un mercante che, rifiutando di onorare Manasa Devi, la dea dei serpenti, si ritrova perseguitato da calamità naturali. Fuggito in un luogo chiamato Bonduk-dwip, Bonduki è costretto a costruire un tempio in onore della dea per placare la sua ira. La leggenda rimane per Deen un semplice racconto d’infanzia, finché Kanai non menziona che sua zia Nilima Bose ha visto il tempio e lo invita a visitarlo. Questo innesca un viaggio straordinario per Deen, che lo porterà dalle Sundarban, dove commercio e natura si confrontano, fino a Los Angeles e Venezia. Attraverso secoli e terre, il viaggio di Deen diventa un'esplorazione profonda delle antiche leggende e dei miti, riflettendo su una realtà moderna in cui la lotta tra profitto e natura sembra non avere scampo.

Packed with anecdote and exuberant detail, In an Antique Land provides magical and intimate insights into Egypt from the Crusades to Operation Desert Storm. It exposes the indistinguishable and intertwining ties that bind together India and Egypt, Hindus and Muslims and Jews. By combining fiction, history, travel writing and anthropology, to create a single seamless work of imagination, Ghosh characteristically makes us rethink the political boundaries that divide the world and the generic boundaries that divide narratives.

From the bestselling author of the Ibis trilogy and The Great Derangement, The Nutmeg's Curse is an enthralling, panoramic history of the influence of colonialism on the world today, told through the surprising story of the nutmeg.

It is 1839 and tension has been rapidly mounting between China and British India following the crackdown on opium smuggling by Beijing. With no resolution in sight, the colonial government declares war.One of the vessels requisitioned for the attack, the Hind, travels eastwards from Bengal to China, sailing into the midst of the First Opium War. The turbulent voyage brings together a diverse group of travellers, each with their own agenda to pursue. Among them is Kesri Singh, a sepoy in the East India Company who leads a company of Indian sepoys; Zachary Reid, an impoverished young sailor searching for his lost love, and Shireen Modi, a determined widow en route to China to reclaim her opium-trader husband's wealth and reputation. Flood of Fire follows a varied cast of characters from India to China, through the outbreak of the First Opium War and China's devastating defeat, to Britain's seizure of Hong Kong.

Through extraordinary first-hand accounts Amitav Ghosh presents a compelling chronicle of the turmoil of our times. `Dancing in Combodia recreates the first-ever visit to by a troupe of Cambodian dancers with King Sisowath, in 1906. Ghosh links this historic visit, celebrated by Rodin in a series of sketches, to the more recent history of the Khmer Rouge revolution. The Town by the Sea records his experiences in the Andaman and Nicobar Islands just days after the tsunami; and in September 11 he takes us back to that fateful day when he retrieved his young daughter from school in New York, sick with the knowledge that she will be marked by the same kind of tumult that has defined his own life.

Are we deranged? The acclaimed Indian novelist Amitav Ghosh argues that future generations may well think so. How else to explain our imaginative failure in the face of global warming? In his first major book of nonfiction since In an Antique Land, Ghosh examines our inability—at the level of literature, history, and politics—to grasp the scale and violence of climate change. The extreme nature of today’s climate events, Ghosh asserts, make them peculiarly resistant to contemporary modes of thinking and imagining. This is particularly true of serious literary fiction: hundred-year storms and freakish tornadoes simply feel too improbable for the novel; they are automatically consigned to other genres. In the writing of history, too, the climate crisis has sometimes led to gross simplifications; Ghosh shows that the history of the carbon economy is a tangled global story with many contradictory and counterintuitive elements. Ghosh ends by suggesting that politics, much like literature, has become a matter of personal moral reckoning rather than an arena of collective action. But to limit fiction and politics to individual moral adventure comes at a great cost. The climate crisis asks us to imagine other forms of human existence—a task to which fiction, Ghosh argues, is the best suited of all cultural forms. His book serves as a great writer’s summons to confront the most urgent task of our time.

The International Bestseller from the Man Booker Prize shortlisted author 'An absorbing story of a world in transition' JM Coetzee 'A Doctor Zhivago for the Far East' The Independent Rajkumar is only another boy, helping on a market stall in the dusty square outside the royal palace, when the British force the Burmese King, Queen and all the Court into exile. He is rescued by the far-seeing Chinese merchant, and with him builds up a logging business in upper Burma. But haunted by his vision of the Royal Family, he journeys to the obscure town in India where they have been exiled. The story follows the fortunes - rubber estates in Malaya, businesses in Singapore, estates in Burma - which Rajkumar, with his Chinese, British and Burmese relations, friends and associates, builds up - from 1870 through the Second World War to the scattering of the extended family to New York and Thailand, London and Hong Kong in the post-war years.

Novelist and journalist Ghosh has offered firsthand accounts of pivotal world events over the past twenty years. He is an essential voice in forums like The Nation, the New York Times, the New Republic, Granta, and The New Yorker. This book brings together the finest of these pieces for the first time--including many never before published in the U.S.--in a compelling chronicle of the turmoil of our times. In his travels he has walked amid the devastation of the 2004 tsunami, stood on an icy mountaintop on the contested border between India and Pakistan, interviewed Pol Pot's sister-in-law in Cambodia, shared the elation of Egyptians when Naguib Mahfouz won the Nobel Prize, and stood with his threatened Sikh neighbors through the riots following Indira Gandhi's assassination. With intelligence and authentic sympathy, he "illuminates the human drama behind the headlines" (Publishers Weekly). Incendiary Circumstances is testimony of an era defined by the ravages of politics and nature.--From publisher description.

A beautifully illustrated fable from Booker-shortlisted author

The Booker-shortlisted author of the Ibis trilogy explores the impact of opium on global history, economies, cultures, and his own understanding of self.

A stunningly vibrant novel from Amitav Ghosh, author of the internationally acclaimed bestseller The Glass Palace

Opening in Calcutta in the 1960s, Amitav Ghosh's radiant second novel follows two families -- one English, one Bengali -- as their lives intertwine in tragic and comic ways. The narrator, Indian born and English educated, traces events back and forth in time, from the outbreak of World War II to the late twentieth century, through years of Bengali partition and violence, observing the ways in which political events invade private lives.

Amitav Ghosh's extraordinary first novel makes a claim on literary turf held by Gabriel Garcia Marquez and Salman Rushdie. In a vivid and magical story, The Circle of Reason traces the misadventures of Alu, a young master weaver in a small Bengali village who is falsely accused of terrorism. Alu flees his home, traveling through Bombay to the Persian Gulf to North Africa with a bird-watching policeman in pursuit.

Once upon a time, an Indian writer named Amitav Ghosh set out as an Indian slave, name unknown, who some seven hundred years before had traveled to the Middle East. The journey took him to a small village in Egypt, where medieval customs coexist with twentieth-century desires and discontents. But even as Ghosh sought to re-create the life of his Indian predecessor, he found himself immersed in those of his modern Egyptian neighbors. Combining shrewd observations with painstaking historical research, Ghosh serves up skeptics and holy men, merchants and sorcerers. Some of these figures are real, some only imagine, but all emerge as vividly as the characters in a great novel. In an Antique Land is an inspired work that transcends genres as deftly as it does eras, weaving an entrancing and intoxicating spell.

Over the past 75 years, a new canon has emerged. As humans have driven the living planet to the brink of collapse, visionary thinkers around the world have raised their voices to defend it. Their words have endured, becoming the classics that define the environmental movement today. In this personal and wide-ranging exploration of how our collective imaginations fail to grasp the scale of environmental destruction, Amitav Ghosh summons writers and novelists to confront the most urgent story of our times

From Victorian lndia to near-future New York, The Calcutta Chromosome takes readers on a wondrous journey through time as a computer programmer trapped in a mind-numbing job hits upon a curious item that will forever change his life. When Antar discovers the battered ID card of a long-lost acquaintance, he is suddenly drawn into a spellbinding adventure across centuries and around the globe, into the strange life of L. Murugan, a man obsessed with the medical history of malaria, and into a magnificently complex world where conspiracy hangs in the air like mosquitoes on a summer night.

A diverse collection of essays spanning 25 years, this book showcases the author's reflections and insights published in various journals and periodicals. It explores a range of themes and ideas, offering readers a glimpse into the evolution of the author's thoughts and the literary landscape over time. Each essay captures unique perspectives, making it a rich tapestry of personal and intellectual exploration.

R. P. Ghosh's richly varied life experiences are the inspiration for this multi-themed collection of poems. Drawing on his early childhood challenges as a refugee and subsequent success in professional-services as well as the arts, the author passionately describes and deftly combines his philosophies on 'power-crazy' political forces and their effect on so many, the meaning of life, the reality of ancient religions in our modern world and his love and respect for the forces of nature, so enchantingly interwoven into his verses.His creative self-assessment of situations in his life in other countries, and with different cultures, is both fascinating and thought-provoking and the reader can look forward to exploring new ways of thinking.

Auf einer indonesischen Insel fällt eine Öllampe zu Boden, kurz danach begehen niederländische Soldaten ein Massaker an den Inselbewohnern. Wie hängen diese beiden Geschehnisse zusammen und was geschah danach? Mit dieser Frage beginnt Amitav Ghosh seine Recherche auf den Spuren der Muskatnuss. Heute alltägliches Gewürz, galt sie im 17. Jahrhundert als Luxusgut ‒ allein eine Handvoll davon reichte aus, um einen Palast zu erbauen ‒, denn die seltene Frucht wuchs nur auf jener Insel, die niederländische Truppen vornehmlich deshalb in Besitz nahmen, um das Handelsmonopol für die Niederländische Ostindien-Kompanie zu sichern. Während Amitav Ghosh die Reise der Muskatnuss nachzeichnet, veranschaulicht er eindrucksvoll die Mechanismen von Kolonialismus und Ausbeutung der Einheimischen sowie der Natur durch westliche Länder. Mitreißend stellt er dabei die Verbindung geschichtlicher Entwicklungen mit aktuellen Realitäten her, verkettet niederländische Stillleben und die Nomenklatur nach Linné mit der Black-Lives-Matter-Bewegung, der Covid-Pandemie und der Standing Rock Sioux Reservation, um zu zeigen, dass der heutige Klimawandel in einer jahrhundertealten geopolitischen Ordnung verwurzelt ist, die vom westlichen Kolonialismus und seiner mechanistischen Weltsicht – die Erde als bloßem Ressourcenlieferant für die Menschheit – geschaffen wurde.

Ghoshova cesta do starobylé země začala v knihovně Oxfordské univerzity, kde při hledání materiálů ke své disertační práci narazil na edici středověké obchodní korespondence, kterou z rukopisů nalezených v geníze káhirské synagogy vydal arabista Šlomo Dov Goitein. Kniha Ve starobylé zemi, která vyšla poprvé roku 1992, spojuje dva příběhy: autorovo autobiografické vyprávění, či vzpomínky z terénního výzkumu (1980-81 a 1988) a historickou rekonstrukci života kupce Ben Jica a jeho otroka Bommy, jehož postava se stává autorovým alter egem. Fascinuje ho na ní už samotná skutečnost, že se tak nevýznamná postava stala shodou náhod součástí psané historie, ale zejména kulturní propustnost světa, v němž on i jeho pán žili.

Als Deen Datta, Antiquar in Brooklyn, bei einem Besuch in seiner alten Heimat Kalkutta auf eine bengalische Sage um eine Schlangengöttin stößt, lernt er die beiden jungen Männer Tipu und Rafi kennen. Tipu wird bei dem Besuch eines Schreins für die Schlangengöttin von einer Kobra gebissen. Er hat daraufhin seltsame Visionen, Deen wiederum meint, seinen Willen zu verlieren. Ein paar Monate später trifft er Rafi in Venedig wieder: Deen ist als Übersetzer hier, Rafi einer von Hunderten Klimaflüchtlingen. Er wollte gemeinsam mit Tipu noch Europa, doch hat ihn unterwegs verloren.Deen und Rafi machen sich mithilfe einer Gruppe Aktivisten daran, ihn zu finden – und kommen dabei auch der geheimnisvollen bengalischen Legende auf die Spur.

»Höchst selten besitzt ein Autor so erhellende Einsichten und Erzähltalente, dass ein leidlich bekanntes Thema sich plötzlich ganz neu eröffnet. Ghosh ist so ein Autor, und DIE GROSSE VERBLENDUNG ist genau diese Art von Buch.« Naomi Klein Amitav Ghosh, „Meister der Sprache“ ( Die Zeit ) und Romancier von Weltrang, fragt sich, warum der Klimawandel in der Literatur der Gegenwart nicht zur Sprache kommt. Woher rührt unsere große Verblendung, vor der künftige Generationen fassungslos stehen werden? Hat die Kunst in dieser epochalen Katastrophe ihren Meister gefunden? Mit »Die große Verblendung« legt Ghosh ein Essay vor, das nicht nur seine Zunft, sondern uns alle auffordert, ein neues Kapitel der Menschheitsgeschichte zu schreiben und uns eine andere, bessere Welt auszumalen.

In einer mitreißenden Mischung aus Reisebericht, Memoir und historischem Essay zeichnet der indische Autor die Anfänge des weltweiten Opiumhandels ab dem 19. Jahrhundert nach und macht deutlich, dass dessen Auswirkungen bis in die heutige Zeit reichen: von den mächtigsten Familien und prestigeträchtigsten Institutionen, deren Reichtum sich den Einnahmen aus dem Opiumgeschäft verdankt, bis hin zur amerikanischen Opioid-Epidemie und dem Oxycontin-Skandal. Während der jahrzehntelangen Archivrecherche für seine Ibis-Romantrilogie stellte Amitav Ghosh mit Erstaunen fest, dass die Lebenswege und Handelsrouten zahlreicher Menschen, auch seiner eigenen Vorfahren, im 19. Jahrhundert mit einer einzigen Pflanze verwoben waren: der Mohnblume. Das Britische Weltreich sicherte sich durch ihren Anbau in den indischen Kolonien die Handelsfähigkeit mit China, indische Bauern wurden über Jahrhunderte hinweg in prekärer Abhängigkeit gehalten, und die chinesische Bevölkerung wurde von einer unaufhaltsamen Drogenepidemie überspült. Währenddessen hofften internationale Handelsleute stets auf Reichtum durch die Beteiligung am Opiumhandel.