Paul Muldoon è un poeta celebrato, noto per la sua sperimentazione linguistica e per le sue acute riflessioni sull'identità e la storia irlandese. Le sue opere esplorano spesso le complessità della narrazione e l'intreccio tra passato e presente. Lo stile di Muldoon è caratterizzato da un gioco linguistico, forme innovative e ricche allusioni. Radicata nella tradizione ma lungimirante, la sua poesia offre ai lettori una prospettiva distintiva sull'esperienza umana.
#1 NEW YORK TIMES BESTSELLER A Washington Post Notable Book Excerpted in The New Yorker A work of unparalleled candor and splendorous beauty, The Lyrics celebrates the creative life and the musical genius of Paul McCartney through his most meaningful songs.
Taking the death of Yeats in 1939 as its starting point and ending in the 1980s, The Faber Book of Contemporary Irish Poetry offers unusually generous selections from the work of ten writers - Patrick Kavanagh, Louis MacNeice, Thomas Kinsella, John Montague, Seamus Heaney, Michael Longley, Derek Mahon, Paul Durcan, Tom Paulin and Medbh McGuckian. Edited by Paul Muldoon, himself widely regarded as the leading Irish poet of his generation, this anthology provides a fine introduction to the most consistently impressive Irish poets after Yeats.
Meeting the British is Paul Muldoon's fifth collection of poems. They range from an account of the first recorded case of germ warfare, through a meditation on a bar of soap, to a sequence of monologues spoken by some of the famous, or infamous, inhabitants of '7, Middagh Street', New York, on Thanksgiving Day, 1940.
"Poems 1968-1998" offers a comprehensive look at Paul Muldoon's work, featuring selections from his eight major collections, allowing both new and longtime readers to appreciate the depth of this significant poet.
Poetry Book Society Special Commendation The Independent 50 Best Summer Reads Welcome to a strange new world in which a poem can be written using only one vowel, processed through computer code, collaged from film trailers, compiled from Facebook status updates, hidden inside a Sudoku puzzle, and even painted on sheep to demonstrate Quantum T
In this new collection Paul Muldoon goes back to the essential meaning of the term 'lyric' -a short poem sung to the accompaniment of a musical instrument.
The End of the Poem contains the fifteen lectures delivered by Paul Muldoon as Oxford Professor of Poetry, from 1999 to 2004. Each lecture explores a different sense of an ending: whether a poem can ever be a free-standing structure, read and written in isolation from other poems;
Published in 1922, The Waste Land was the most revolutionary poem of its time, offering a devastating vision of modern civilisation between the two World Wars. This beautifully designed edition forms part of a series of ten titles celebrating Faber's publishing over the decades.
“The most significant English-Language poet born since the second world war.” —The Times Literary Supplement Selected Poems 1968–2014 offers forty-six years of work drawn from twelve individual collections by a poet who “began as a prodigy and has gone on to become a virtuoso” (Michael Hofmann). Hailed by Seamus Heaney as “one of the era’s true originals,” Paul Muldoon seems determined to escape definition, yet this volume, compiled by the poet himself, serves as an indispensable introduction to his trademark combination of intellectual hijinks and emotional honesty. Among his many honors are the Pulitzer Prize for Poetry and the Shakespeare Prize “for contributions from English-speaking Europe to the European inheritance.” “Among contemporaries, Paul Muldoon, one of the great poets of the past hundred years, who can be everything in his poems—word-playful, lyrical, hilarious, melancholy. And angry. Only Yeats before him could write with such measured fury.” —Roger Rosenblatt, The New York Times
The stirring, mindful and deeply humane new collection of poems from Paul Muldoon - now in paperback.