Howard Stern è un magnate dei media e conduttore radiofonico americano, rinomato per il suo umorismo provocatorio e le sue opinioni schiette su una vasta gamma di argomenti. Il suo programma è diventato un fenomeno, senza paura di discutere eventi mondiali o questioni personali. Stern si è affermato come una figura distintiva nel panorama mediatico, senza timore di controversie e spingendo costantemente i confini dei media tradizionali. La sua influenza si estende anche ad altre aree come il cinema, la televisione e l'editoria.
Over his unrivalled four-decade career in radio, Howard Stern has interviewed thousands of personalities-discussing sex, relationships, money, fame, spirituality, and success with the boldest of bold-faced names. But which interviews are his favourites? It's one of the questions he gets asked most frequently. Howard Stern Comes Again delivers his answer.
Self-proclaimed "King of All Media", Howard Stern is host of a daily radio program loved and loathed by millions. Here Stern vents his views on politics, current affairs, and the entertainment business. His irreverent insight and mind-bending opinions will propel his fans into a reading frenzy and drive his critics wild.
"With chapters about his ongoing battle with the FCC and his legendary campaign for the governorship of the State of New York, Howard Stern's Miss America covers some of the biggest news stories of the decade, from the Atlantic City penis sandwich to an exclusive with Jackie O's embalming-fluid delivery boy, and, of course, Philadelphia's own fecal-obsessed Uncle Ed."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
«Die Rettung hält sich an den kleinen Sprung in der kontinuierlichen Katastrophe.» Behind this typical aphorism of Walter Benjamin there lies an elaborate system of metaphors drawn from Arabian geometric ornament. The present work examines the operation of this system in a variety of contexts: «Berliner Kindheit», the posthumous writings «Über Haschisch», the essays on Brecht, and elsewhere. The focus is heuristic: how do Benjamin's rhetorical figures become instruments of invention and cognition?