Douglas Kellner è un eminente teorico critico di terza generazione profondamente impegnato nell'impatto della cultura dei media sulla società. È un pioniere della media literacy critica, analizzando come i paesaggi mediatici contemporanei siano sempre più plasmati dallo spettacolo e dal mega-spettacolo. Il suo lavoro approfondisce anche le dinamiche dell'alter-globalizzazione, sostenendo movimenti contro-egemonici ed espressioni culturali alternative alla ricerca di una società più democratica. Kellner esplora il potenziale politico dei nuovi media, sostenendo un concetto di 'molteplici tecnilivelli di alfabetizzazione' come alternativa alle forme standardizzate di alfabetizzazione informatica.
Focusing on a metatheory for educational philosophy, this book emphasizes the need for democratization, reconstruction, and decolonization of education. It addresses the challenges posed by a global and technological society, advocating for transformative approaches that reshape educational practices and theories to better serve diverse communities and foster critical engagement among learners.
The book explores the profound impact of the ongoing technological revolution on society as we enter the new millennium. It highlights how advancements in computer, information, communication, and multimedia technologies are reshaping work, communication, politics, and leisure. This transformation challenges critical theorists, citizens, and educators to reevaluate their foundational ideas and adapt social institutions and education to effectively respond to these changes. The emphasis is on creatively utilizing media and restructuring systems to foster progressive societal development.
Cultural Studies, Identity, and Politics in the Contemporary Moment
Kellner examines the pervasive influence of mediated culture as the primary force shaping socialization and impacting various aspects of life, including the economy and politics. This updated edition of a classic text in media and cultural studies delves into how media serves as a crucial player in contemporary society, highlighting its significance in cultural and social interactions.
One of the most important texts of modern times, Herbert Marcuse's analysis and image of a one-dimensional man in a one-dimensional society has shaped many young radicals' way of seeing and experiencing life. Published in 1964, it fast became an ideological bible for the emergent New Left. As Douglas Kellner notes in his introduction, Marcuse's greatest work was a 'damning indictment of contemporary Western societies, capitalist and communist.' Yet it also expressed the hopes of a radical philosopher that human freedom and happiness could be greatly expanded beyond the regimented thought and behaviour prevalent in established society. For those who held the reigns of power Marcuse's call to arms threatened civilization to its very core. For many others however, it represented a freedom hitherto unimaginable.
First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.