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David Scott Kastan

    David Scott Kastan è uno studioso di spicco nel campo della letteratura shakespeariana. In qualità di uno dei redattori generali di Arden Shakespeare, contribuisce in modo significativo a una più profonda comprensione e interpretazione delle opere di Shakespeare. Il suo lavoro accademico si concentra sull'analisi critica e sul contesto letterario, offrendo ai lettori nuove prospettive sui testi classici. L'influenza di Kastan sugli studi shakespeariani contemporanei è considerevole.

    The book in history, the book as history
    On Color
    Shakespeare and the Book
    Shakespeare After Theory
    A Will to Believe: Shakespeare and Religion
    Paradise Lost
    • Exploring the intersection of religion and literature, this revised edition delves into how spiritual themes invigorate Shakespeare's works. Drawing from Kastan's 2008 Oxford Wells Shakespeare Lectures, it offers a thought-provoking analysis of the playwright's engagement with faith, belief, and the human condition, inviting readers to reconsider the significance of religious elements in his plays.

      A Will to Believe: Shakespeare and Religion
    • Shakespeare After Theory

      • 264pagine
      • 10 ore di lettura

      This book, first published in 1999, delves into significant themes and concepts relevant to its field, offering insights that remain pertinent today. It is part of Routledge's esteemed catalog, reflecting a commitment to scholarly excellence. The content is designed to engage readers with its thorough analysis and thought-provoking discussions, making it a valuable resource for students and professionals alike.

      Shakespeare After Theory
    • Shakespeare and the Book

      • 184pagine
      • 7 ore di lettura

      Focusing on the evolution of Shakespeare's works, the book explores their transformation from performance scripts to literary texts and their rise as central figures in the English literary canon. Kastan delves into the motivations of Shakespeare's early publishers and the contradictions of the eighteenth century, where adaptations thrived alongside scholarly efforts to preserve original texts. Additionally, it highlights the potential of electronic media to engage new audiences with Shakespeare's legacy, making significant contributions to textual scholarship and drama theory.

      Shakespeare and the Book
    • The essays in this collection reach beyond book history to address fundamental questions about historicism with a broad range of issues such as gender and sexuality, religion, political theory, economic history, adaptation and appropriation, and quantitative analysis and digital humanities.

      The book in history, the book as history