Navid Kermani Libri

In this significant book, German writer Navid Kermani explores the Quran's perception and experience from the Prophet's time to today. He examines various Muslim sources to analyze the impact of Quranic language, highlighting the deep connection between art and religion in Islam. This work aims to foster dialogue between Islam and the West.

The melodious recitation of the Quran is a fundamental aesthetic experience for Muslims, and the start of a compelling journey of ideas. In this important new book, the prominent German writer and Islamic scholar Navid Kermani considers the manner in which the Quran has been perceived, apprehended and experienced by its recipients from the time of the Prophet to the present day. Drawing on a wide range of Muslim sources, from historians, theologians and philosophers to mystics and literary scholars, Kermani provides a close reading of the nature of this powerful text. He proceeds to analyze ancient and modern testimonies about the impact of Quranic language from a variety of angles. Although people have always reflected on the reception of texts, images and sounds that they find beautiful or moving, Kermani explains that Islam provides a particularly striking example of the close correlation, grounded in a common origin, between art and religion, revelation and poetry, and religious and aesthetic experience. This major new book will enhance the dialogue between Islam and the West and will appeal to students and scholars of Islam and comparative religion, as well as to a wider readership interested in Islam and the Quran.

What connects Shiite passion plays with Brechts drama? Which of Goethes poems were inspired by the Quran? How can Ibn Arabis theology of sighs explain the plays of Heinrich von Kleist? And why did the Persian author Sadeq Hedayat identify with the Prague Jew Franz Kafka? One who knows himself and others will here too understand: Orient and Occident are no longer separable: in this new book, the critically acclaimed author and scholar Navid Kermani takes Goethe at his word. He reads the Quran as a poetic text, opens Eastern literature to Western readers, unveils the mystical dimension in the works of Goethe and Kleist, and deciphers the political implications of theatre, from Shakespeare to Lessing to Brecht. Drawing striking comparisons between diverse literary traditions and cultures, Kermani argues for a literary cosmopolitanism that is opposed to all those who would play religions and cultures against one another, isolating them from one another by force. Between Quran and Kafka concludes with Kermanis speech on receiving Germanys highest literary prize, an impassioned plea for greater fraternity in the face of the tyranny and terrorism of Islamic State. Kermanis personal assimilation of the classics gives his work that topical urgency that distinguishes universal literature when it speaks to our most intimate feelings. For, of course, love too lies between Quran and Kafka.

Between Germany and Russia is a region strewn with monuments to the horrors of war, genocide and disaster – the bloodlands where the murderous regimes of Hitler and Stalin unleashed the violence that scarred the twentieth century and shaped so much of the world we know today. In September 2016 the German-Iranian writer Navid Kermani set out to discover this land and to travel along the trenches that are now re-emerging in Europe, from his home in Cologne through eastern Germany to the Baltics, and from there south to the Caucasus and to Isfahan in Iran, the home of his parents. This beautifully written travel diary, enlivened by conversations with the people Kermani meets along the way, brings to life the tragic history of these troubled lands and shows how this history leaves its traces in the present. It will be of great interest to anyone concerned with current affairs and with the events that have shaped, and continue to shape, the world in which we live today.

By foot, in buses, prison vans and trains, a steady stream of refugees traveled from the Greek island of Lesbos into Europe. In the autumn of 2015, award-winning writer Navid Kermani decided to accompany them on the Balkan route.

'When your grandpa was in hospital, he asked me one night to promise him that, when he had gone from us, I would teach you Islam - our Islam: the Islam I grew up with... In that dark, impersonal room, he was thinking of you.' This is why one father began to teach his daughter night after night not only about his own religion, but about that which unites all believers, about God and death, about love and the infinity that surrounds us. This highly personal book is not only a magical literary masterpiece, but also a rich resource of knowledge, and this because Navid Kermani dares to venture into the darkness in order to give expression to our confusion. And because his way of talking, his openness, his knowledge which derives from his immersion in two cultures, are so unique, so light and so deep.

This book ventures into the world beyond Lampedusa: the crisis belt that stretches from Kashmir across Pakistan and Afghanistan to the Arab world and beyond, to the borders and coasts of Europe. Celebrated author Navid Kermani reports from a region which is our immediate neighbour, despite all too often being depicted as remote and distant from our daily concerns. Kermani has visited the places where no CNN transmitter truck is parked and yet smouldering fires threaten world peace. In his widely praised, wonderfully agile and careful prose, he reports on NATO's war in Afghanistan and the underside of globalization in India, on the civil war in Syria and the struggle of Shiites and Kurds against the 'Islamic State' in Iraq. He was the only Western reporter present at the suppression of the mass protests in Tehran, travelled with Sufis through Pakistan, talked with Grand Ayatollah Sistani in Najaf, and observed the disastrous Mediterranean refugee route in Lampedusa. Kermani's gripping reports allow us to understand a world in turmoil, to share the suspense and the suffering of the people in it. As if by magic, he brings individual lives and situations to life so vividly that complex and seemingly distant problems of world politics suddenly appear crystal clear. Our world too lies beyond Lampedusa.

What happens when one of Germany’s most important writers, himself a Muslim, immerses himself in the world of Christian art? In this book, Navid Kermani is awestruck by a religion full of sacrifice and lamentation, love and wonder, the irrational and the unfathomable, the deeply human and the divine – a Christianity that today’s Christians rarely speak of so earnestly, boldly and enthusiastically. With the open-minded curiosity of a non-believer – or rather a believer in another faith – Kermani engages with Christian art in its great richness and diversity. The result is an enchanting reflection which reinvests in Christianity both its spectacular beauty and its terror. Kermani struggles with the cross, falls in love at the sight of Mary, experiences the Orthodox Mass and appreciates the greatness of St Francis. He teaches us to see the questions of our present-day lives in the pictures of old masters such as Botticelli, Caravaggio and Rembrandt – not with lectures on art history or theology, but with an intelligent eye for the essential details and the underlying relations to seemingly remote worlds, to literature and to mystical Islam. Kermani’s poetic school of seeing draws us in as we are carried along by his unique perspective on Christianity, rekindling our interest in great art at the same time. We are captivated by his unique and brilliant Islamic reading of the West.