Richard Wright Libri

Photographs and text describe the conditions of Blacks in American cities and rural areas during the Great Depression

This deluxe boxed set presents Richard Wright's landmark works in their definitive edition, showcasing them as he originally intended. It offers readers a comprehensive and authentic experience of his influential writings, emphasizing their significance in American literature.

The haiku of acclaimed novelist Richard Wright, written at the end of his...

Photographs and text describe the conditions of Blacks in American cities and rural areas during the Great Depression.

"Wright presents a compelling story of a black man's attempt to escape his past and start anew in Harlem. Cross Damon is a man at odds with society and with himself, a man who hungers for peace but who brings terror and destruction wherever he goes. As Maryemma Graham writes in her Introduction to this edition, with its restored text established by the Library of America, "The Outsider is Richard Wright's second installment in a story of epic proportions, a complex master narrative designed to show American racism in raw and ugly terms ... The stories of Bigger Thomas ... and Cross Damon bear an uncanny resemblance to many contemporary cases of street crime and violence. There is also a prophetic note in Wright's construction of the criminal mind as intelligent, introspective, and transformative." In addition to the Introduction by Maryemma Graham, this edition includes a notes section by Arnold Rampersad."

The library of America is dedicated to publishing America's best and most significant writing in handsome, enduring volumes, featuring authoritative texts. Hailed as the finest-looking, longest-lasting editions ever made (The New Republic), Library of America volumes make a fine gift for any occasion. Now, with exactly one hundred volumes to choose from, there is a perfect gift for everyone.

A master chronicler of the African-American experience, Richard Wright brilliantly expanded his literary horizons with Pagan Spain, originally published in 1957. The Spain he visited in the mid-twentieth century was not the romantic locale of song and story, but a place of tragic beauty and dangerous contradictions. The portrait he offers is a blistering, powerful, yet scrupulously honest depiction of a land and people in turmoil, caught in the strangling dual grip of cruel dictatorship and what Wright saw as an undercurrent of primitive faith. An amalgam of expert travel reportage, dramatic monologue, and arresting sociological critique, Pagan Spain serves as a pointed and still-relevant commentary on the grave human dangers of oppression and governmental corruption.

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