George Sand Libri

Clopinet, an eleven-year-old boy plagued by fears of the dark, heights, and thunder, struggles to fit in with the other boys in his farming village. His sensitive nature leads his parents to apprentice him to a cruel tailor, but he escapes to the cliffs of Normandy. There, he finds strength and courage living among sea birds, embarking on a journey that fulfills his love for nature and travel. Written in 1873, this inspiring tale emphasizes the power of individuality and the beauty of the natural world, resonating with readers of all ages.

George Sand (the pen name of Amantine Lucile Aurore Dupin, 1804-76) and Gustave Flaubert (1821-80) were two of the most influential French writers and novelists of the 19th century, the former being more popular than both Hugo and Balzac in England in the 1830s and 40s, and the latter considered the leading exponent of literary realism in his country and known especially for his debut novel Madame Bovary (1857). The relationship between the two writers extended over a period of 12 years, including the period of the Franco-Prussian War and the Commune, and despite their differences in temperament and aesthetic preference they became close friends. This collection of their correspondence was translated by A L McKenzie at the suggestion of Professor Stuart P Sherman (1881-1926), an American literary critic, educator and journalist, who wrote the introduction.

The book offers a vivid portrayal of its time, capturing the social and cultural dynamics of the era. It explores complex themes of human relationships and moral dilemmas through its well-developed characters. The narrative is enriched by the author's keen observations and insightful commentary, making it a compelling read for those interested in historical context and character-driven storytelling. The review highlights the book's lasting impact and its relevance to contemporary readers, showcasing its literary significance.

The first translation in over one hundred years of The Countess von Rudolstadt brings to contemporary readers one of George Sand's most ambitious and engaging novels, hailed by many scholars of French literature as her masterpiece.

George Sand, renowned as a novelist, also made her mark as a prolific woman dramatist, with over twenty plays performed in Paris. This collection features the first English translations of her two celebrated full-length comedies, "The Marquis de Villemer" and "Francoise," alongside three significant one-act plays. Her works are characterized by vibrant characters, witty dialogue, and intricate structures, showcasing her humor and emotional depth. The volume includes an introduction discussing Sand's theatrical legacy and critical reception, as well as notes and a bibliography.

The book is a facsimile reprint of a scarce antiquarian work, preserving its historical significance despite potential imperfections like marks and flawed pages. It aims to protect and promote important literature by making it accessible in a high-quality modern edition that remains true to the original.

In the early nineteenth century, Juliette Ruyter, a beautiful young Belgian, and her protector, the noble Spaniard Aleo Bustamante, have arrived in Venice just before carnival. The mystery of their union is not clear, until Bustamante mentions that the notorious Leone Leoni is in Venice with his wealthy playmates. At news of this Juliette starts with shock, and her trembling reaction brings their troubles to the fore. Bustamante finally persuades her to tell him the whole story of her progress of ruin and degradation at the hands of one of the most infamous and charming scoundrels of his time. Will telling the story finally expiate Juliette's unhealthy obsession? Can she really evade a relationship that sometimes seems to her ordained by God, sometimes cursed by the Devil? This astonishing novel tells of innocence trapped by debauchery in a dazzling round of intrigue, impersonation and emotional deception. It casts itself across Europe in an intricate web of rumour and aspersion, at the centre of which lies the key question: exactly how genuine is Leoni's vaunted passion for Juliette? Leone Leoni was first published in 1835.