Thornton Wilder Libri
17 aprile 1897 – 7 dicembre 1975
Thornton Wilder è stato un drammaturgo e romanziere americano le cui opere spesso esplorano temi universali dell'esistenza umana e dei valori sociali. Intrecciava magistralmente l'umorismo con una profonda riflessione, ottenendo riconoscimenti per la sua capacità unica di catturare l'essenza della vita umana. Le opere teatrali e i romanzi di Wilder esplorano le complessità delle relazioni, lo scorrere del tempo e la ricerca di significato nelle esperienze quotidiane. La sua influenza sul dramma e sulla letteratura moderni è innegabile, poiché le sue opere continuano a risuonare con i lettori di tutto il mondo.
The enduring power of Thornton Wilder's work lies in its ability to connect audiences to their shared humanity through the theater. His plays resonate with timeless themes that encourage reflection and understanding among people. The description highlights the importance of live performance in preserving Wilder's legacy and the universal truths found in his storytelling.
A collection of anthologies, resource and reference books, including titles from Oscar Wilde, Mary Shelley, Alex Madina, Jo Phillips and Adrian Barlow.
"Meet George Marvin Brush--Don Quixote come to Main Street in the Great Depression, and one of Thornton Wilder's most memorable characters. George Brush, a traveling textbook salesman, is a fervent religious convert who is determined to lead a good life. With sad and sometimes hilarious consequences, his travels take him through smoking cars, bawdy houses, banks, and campgrounds from Texas to Illinois--and into the soul of America itself."--Amazon.com description
Set in the vibrant world of ancient Rome during Julius Caesar's time, this classic novel by Thornton Wilder explores the complexities of power, ambition, and the human experience. The narrative vividly captures the political intrigue and cultural richness of the era, offering a timeless reflection on the nature of leadership and society. The new introduction by Jeremy McCarter adds contemporary insight, connecting the historical themes to modern audiences.
On Friday noon, July the twentieth, 1714, the finest bridge in all Peru broke and precipitated five travelers into the gulf below. With this celebrated sentence Thornton Wilder begins The Bridge of San Luis Rey, one of the towering achievements in American fiction and a novel read throughout the world.By chance, a monk witnesses the tragedy. Brother Juniper then embarks on a quest to prove that it was divine intervention rather than chance that led to the deaths of those who perished in the tragedy. His search leads to his own death -- and to the author's timeless investigation into the nature of love and the meaning of the human condition.
Our Town was first produced and published in 1938 to wide acclaim. This Pulitzer Prize-winning drama of life in the town of Grover 's Corners, an allegorical representation of all life, has become a classic. It is Thornton Wilder's most renowned and most frequently performed play. It is now reissued in this handsome hardcover edition, featuring a new Foreword by Donald Margulies, who writes, "You are holding in your hands a great American play. Possibly the great American play." In addition, Tappan Wilder has written an eye-opening new Afterword, which includes Thornton Wilder's unpublished notes and other illuminating photographs and documentary material.
In The Alcestaid Thornton Wilder retells for us the ancient legend of Alcestis, Queen of Thessaly, who gave her life for her husband Admetus, beloved of the Sun Apollo, and was brought back from Hell by Hercules. Wilder's Alcestis is a seeker after understanding, to whom "there is only misery, and that is ignorance." Her life as wife, mother, Queen -- like Emily;s in Our Town -- is apparently idyllic happiness is destroyed by death. But neither death or happiness is what it seems to be, and the tragedy id Apollo's "song in motion...an unfolding -- a part of something larger than we can see." It is followed, according to Greek tradition, by a comic 'satyr' a one-act "diversion" in which Apollo, disguised as a kitchen-boy, confounds The Drunken Sisters -- the Fates -- to save the life of Admetus.
