David Schulenberg Libri

This volume contains contributions by nine scholars on two broad the analysis of Johann Sebastian Bach’s orchestral works, especially his concertos, and the interpretation and performance of his music in general. The contributors are a diverse group, active in the fields of performance, organology, music theory, and music history. Several work in more than one of these areas, making them particularly well prepared to write on the interdisciplinary themes of the volume. Part 1 includes Alfred Mann’s introduction to Bach’s orchestral music as well as essays by Gregory G. Butler and Jeanne Swack on the Brandenburg Concertos. Part 2 offers ground-breaking articles by John Koster and Mary Oleskiewicz on the harpsichords and flutes of Bach’s day as well as essays by David Schulenberg and William Renwick on keyboard performance practice and the study of fugue in Bach’s circle. Paul Walker explores the relationships between rhetoric and fugue, and John Butt reviews some recent trends in Bach performance.

J.S. Bach's keyboard works form one of the oldest and most important repertories in Western music. This reference guide provides a survey of all Bach's keyboard music, from the Clavier-Book for Anna Magdalena Bach, on which child pianists cut their teeth, to the mighty Goldberg Variations and Art of Fugue. The book draws on the vast amount of recent Bach research and discusses in a straightforward way problems of interpretation, including use of instruments, registration, rhythm and ornamentation. Many music examples are included.

Focusing on the keyboard compositions of Johann Sebastian Bach, this book offers an in-depth exploration of his works for harpsichord and other stringed keyboard instruments. It highlights the significance of these pieces in both the Western concert repertoire and their role in global musical education. The discussion emphasizes the enduring relevance of Bach's music, often performed on modern pianos, making it essential for students and enthusiasts alike.

Focusing on C. P. E. Bach's compositional choices within his social and historical context, Schulenberg shows how C. P. E. Bach deliberately avoided his father's style while borrowing from the manner of his Berlin colleagues, who were themselves inspired by Italian opera. Schulenberg also shows how C. P. E. Bach, now best known for his virtuoso keyboard works, responded to changing cultural and aesthetic trends by refashioning himself as a writer of vocal music and popular chamber compositions.

The book delves into the life of Bach, exploring his student years, professional journey, and family dynamics. It highlights significant compositions while providing updated biographical details and insights into the historical context of his time. This refreshed perspective enhances the understanding of Bach's artistry and the influences that shaped his music.