Anja Brug Libri

From the early gloom-laden paintings to the works of his final years under a southern sun in Arles "This man will either go insane or leave us all far behind," prophesied the great Impressionist Camille Pissarro. The man was Vincent Van Gogh (1853-1890), a vicar's son born at Groot-Zundert near Breda in Holland, who at that time was struggling to find buyers for his paintings. Van Gogh did indeed go at least to the brink of insanity. And he has long been recognised as one of the greatest modern artists. Van Gogh, who followed a variety of professions before becoming an artist, was a solitary, despairing and self-destructive man his whole life long. His truest friend was his brother Theo, who supported him unstintingly throughout and followed him to the grave just six months later. This richly illustrated study by two experts on Van Gogh follows the artist from the early gloom-laden paintings in which he captured the misery of peasants and workers in his home parts, through the bright and colourful paintings he did in Paris, to the work of his final years under a southern sun in Arles, where he at last found the light that produced the unmistakable Van Gogh style. At Arles, Saint-R

Der Karmelitermönch Fra Filippo Lippi war um die Mitte des 15. Jahrhunderts einer der führenden Maler in Florenz. Die 'Anbetung im Wald' schuf er um 1459 als Altarbild für die Hauskapelle des Palastes der Medici. Das Bild besticht durch seine ausgefallene Ikonographie: In einer felsigen Waldlandschaft kniet Maria und betet das vor ihr im Gras liegende Christuskind an. Im Hintergrund sind der kindliche Johannes der Täufer sowie der betende Bernhard von Clairvaux, der Begründer des Zisterzienserordens, dargestellt.