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Characterized by an offhand and chaotic style that can overwhelm and almost invade the spectator's space, Bjarne Melgaard's installations, sculptures, drawings, photographs and videos are an assault on Minimalism and a medley of art and life. Content revolves around Melgaard's own life, not least his homosexuality, and often oversteps taboos to end up in the realm of the illegal.

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Societé anonyme, Beate Ermacora

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Pubblicato
2002
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