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Wolfgang Horn explores Josef Rheinberger's role in 19th-century music, while Hans-Josef Irmen examines the marriage of Rheinberger and Franziska von Hoffnaaß. Harald Wanger discusses Rheinberger's connections to Vaduz, and Bernd Edelmann questions the revival of Rheinberger's string quartets. Thomas Schmidt-Beste delves into the sound direction and texture of Rheinberger's larger chamber works, and Barbara Mohn provides an editorial perspective on Rheinberger's choral songs, focusing on sources and the compositional process. Robert W. Wason reflects on early songs from the "Münchner Schule" in relation to Ludwig Thuille's works, while Christian Berktold uncovers the unknown original version of Rheinberger's song "Ach Wandern." Hanns Steger analyzes poetry and form in Rheinberger's piano music, and Hartmut Schick investigates the complexities of Rheinberger's Wallenstein Symphony, a successful piece. Lee Rothfarb discusses August Halm as a student of Rheinberger, and E. Douglas Bomberger highlights Rheinberger's influence on Horatio Parker's choral works. Siegfried Gmeinwieser looks at Rheinberger's church music activities with the Munich court chapel, while Glenn Stanley reflects on the creation, structure, and style of Rheinberger's "Legende" Christoforus. Stephan Hörner considers Christoforus as a blend of ballad and oratorio, and Calvin M. Bower discusses Rheinberger's symphonic a cappella Mass. Irmlind Capelle examines the
Acquisto del libro
Josef Rheinberger, Stephan Hörner
- Lingua
- Pubblicato
- 2005
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- (Copertina rigida)
Metodi di pagamento
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