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With a well-established international reputation, Japanese photographer Naruki Oshima's latest work, haptic green, makes nature highly present. He applies a complex technical process to deconstruct an image into more than two hundred elements. The process is like a scan; with the camera fixed at a precise point, the artist methodically shoots a series of images starting from the bottom left corner of the frame, up to the top right-hand side, applying various focuses.
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Haptic green, Naruki Oshima
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- 2014
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