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Four-Handed Monsters surveys the cultural perception of four-hand piano playing in the nineteenth century. As the piano became a central institution of the bourgeois household and as piano transcriptions created a stable canon of classic works, four-hand playing became a ubiquitous and structurally important buttress of domestic life, provoking reflections in the literature, philosophy, journalism and the visual arts of the age.
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Four-handed monsters, Adrian Daub
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- 2014
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