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Focusing on the intersection of ethics and aesthetics, this study delves into the life and work of Paul Bekker, a notable German music critic and opera producer. It explores how Bekker's theories, particularly regarding Beethoven's music, relate to themes of freedom and individuality, reflecting the cultural and political dynamics of the Weimar Republic. Through his unique approach, Bekker established an ethical framework for musical sociology as early as 1911, influencing his subsequent contributions to the field.
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Paul Bekker's Musical Ethics, Nanette Nielsen
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- 2017
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