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Focusing on the engagement with modernism, this essay compares Alfred Stieglitz's artistic approach with that of the Ashcan artists. It begins by exploring the personal backgrounds and motivations of both groups, setting the stage for a deeper understanding of their respective aims. The analysis then shifts to the subjects and technical methods employed in their works. Finally, the essay highlights the distinctions between photography and painting, offering insights into the unique characteristics of each art form.
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Alfred Stieglitz, the Ashcan artists and their engagement with modernism, Sandra Kuberski
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- 2015
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