Critical Race Theory and Copyright in American Dance

Whiteness as Status Property

Autori

• Caroline Joan S. Picart

Parametri

Pagine

256pagine

Tempo di lettura

9ore

• Arte / Cultura
• Diritto
• Etnografia
• Letteratura giuridica
• Scienze politiche & Politica

Maggiori informazioni sul libro

The book explores the complex journey of securing federal protection for dance in the U.S., highlighting the racial and gender dynamics involved. It examines the shift from non-copyrightable choreographic works to the potential for copyright under the 1976 Copyright Act. Key figures such as Loíe Fuller, George Balanchine, and Martha Graham are analyzed, showcasing their influence on the evolution of dance and legal recognition within the arts.

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Lingua: Inglese

Pubblicato: 2013

(In brossura)