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The second volume focuses on Thomas Salmon's exploration of musical pitch reform, building on his earlier work on notation. It delves into his inquiries about the meaning and sources of musical knowledge, reflecting his innovative approach to music theory. This edition, curated by Benjamin Wardhaugh, is the first scholarly publication of Salmon's writings on pitch, which were largely accessible only in manuscript form, providing valuable insights into his contributions to music.
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Thomas Salmon, Benjamin Wardhaugh
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- 2013
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