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Exploring the complex relationship between cinema and the symbols of Soviet communism, this book delves into how film has depicted and grappled with the monstrous aspects of this ideology. It examines various cinematic representations, revealing the tensions and narratives that have emerged over time. Through critical analysis, the work highlights the cultural impact and the ongoing dialogue between film and the historical context of communism in the Soviet era.
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The Screen Is Red, Bernard F. Dick
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- Pubblicato
- 2018
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